Product Description Twenty storeys up,wanted fugitive Nick Cassidy threatens suicide from a Manhattan rooftop. As hostage negotiator Lydia Mercer tries to talk him down she discovers that Cassidy was convicted for his part in a multi-million dollar diamond robbery. Whilst Cassidy creates the ultimate distraction his brother and his feisty girlfriend are out to prove his innocence by committing a new crime. With an all-star cast that includes Sam Worthington, Elizabeth Banks, Anthony Mackie, Jamie Bell, Ed Harris and Edward Burns, this adrenalin fuelled action thriller will have you on the edge of your seat… Special Features: Featurette: The Ledge, Trailer with commentary by Elizabeth Banks, Interviews with Crew. (Please note the lenticular sleeve is only available for a limited time and while stocks last). .co.uk Review A well-cast thriller with style to burn, Man on a Ledge can't quite decide if it wants to be a hairpin Hitchcockian exercise in suspense, or a more linear action movie. The script by Pablo F. Fenjves promisingly wastes little time in getting the two nouns of the title together, with the opening scene depicting a mysterious man (Sam Worthington) checking into a swank New York hotel, ordering an expensive meal, and then stepping out of his window for a stroll. But why the choice of this building, in particular? Or his specific request for a boozily disgraced negotiator (Elizabeth Banks) to talk him back inside? And what's with the clumsy couple attempting to break into the office across the street? All will be revealed, rather unusually quickly. To his credit, director Asger Leth (a former documentarian) does manage to capture some of the city-as-an-organic-entity vibe that powered such seminal NY films as Dog Day Afternoon and The Taking of Pelham 123. Unfortunately, his gritty sense of style ultimately can't do much with the increasingly straightforward plot, which telegraphs its curves way in advance. Still, if the narrative shortcomings keep the film from being top-notch escapism, the actors compensate for a lot, beginning with the palpable chemistry between Worthington and Banks and continuing with a wonder of a supporting cast, including Ed Burns as a disgruntled cop, The Hurt Locker's exceptional Anthony Mackie as an investigating officer with ties to the main character, and especially Ed Harris, as a gazillionaire real estate tycoon who takes visible joy in crushing the spirits of his underlings. If you've ever wondered what Scrooge McDuck would look like in human form, here you go. --Andrew Wright
T**A
Man On A Ledge overhangs its mildly entertaining plot with absurd plot conveniences.
Man On A Ledge overhangs its mildly entertaining plot with absurd plot conveniences. Did you know that “jumping”, the act of committing suicide by falling from a potentially deathly height, contributes three percent of suicides in Europe and the US? Did you also know that jumping makes up twenty percent of suicides in New York City alone? Suicide is no laughing matter. The observers may think otherwise down below, exercising “suicide baiting” to encourage the jumpers to plunge to their early demise. But, regardless, a serious subject matter.Leth’s thriller exploits this self-destructive action by utilising it as a central plot device, to prove one man’s innocence. Framed for the theft of a pristinely polished diamond, Nick climbs onto the ledge of the twenty-first floor of the Roosevelt Hotel to provide a distraction for his brother to actually steal the prized jewel from the tyrannical businessman. Bystanders, news reporters, helicopters capturing footage and seemingly the entire NYPD are preoccupied by Nick’s monotonous shenanigans, whose intentions to not jump are clear from the offset. Consequently, the diamond heist remains concealed, despite a generously loud explosion garnering them entry into the fortified vault. Whilst this is all happening, negotiators and police detectives attempt to investigate Nick’s case before officers corrupted by Englander take matters into their own hands. Oh, and then interwoven snippets of his conspicuous ex-partner searching for Nick, whose backstory includes footage of him escaping custody at his father’s funeral.Clearly, it’s a cumbersome structure, with sub-plots peering off the ledge every ten minutes. Some hang on, others fall. The communication between Nick and Mercer, as she attempts to obtain his trust, remained grounded throughout. Worthington’s lacklustre terrified monotony somehow complementing Banks’ independent spirit, as she is disliked by her colleagues. The two conversing made for some real connections. Unfortunately, their conversations are merely padding, much like the entire man on a ledge distraction. The bulk of the narrative originates from Bell and Rodriguez’ heist ordeal which, again, is absolutely solid on its own foundations. The close calls, self-sufficient dialogue and functionality of this sub-plot was crafted solidly. Insert a few double entendres occasionally, and viewers can expect mild entertainment from two enjoyable performances.However, once the corrupted officers are revealed and Englander becomes directly involved with this whole escapade, the story descends into a free-fall of convolution. Plot conveniences and coincidences are littered throughout. To the point where it becomes blatantly obvious to even the less observant of viewers. The heist, the proving of Nick’s innocence, was somehow planned over many years and relied on Nick escaping custody, fleeing the police for a long duration of time, adopting a new name, booking the exact room on the exact floor of the exact hotel at the exact time that Englander would be undergoing his conference. A ludicrous amount, no wait, an impossible amount of factors that would’ve jeopardised the entire task. But hey, atleast Harris’ performance was sublime yet again.For what it’s worth, Man On A Ledge does provide disposable entertainment. The amalgamation of all the sub-plots, with some being more meaningful than others, were well edited. However the over-reliance on conveniences, the chaotically underwhelming conclusion and the exploitation of a suicide method, does teeter towards the stupid instead of the intelligent.
A**Y
Brilliant!
An excellent film! Me and my boyfriend are staying at The Roosevelt Hotel in November for my birthday. This film was the perfect teaser for it! Looking forward to it even more now!
C**R
Not bad but lost interest half way
Good start but quickly became a bit far fetched. Interesting twist but didn't manage to be more than enjoyable but forgettable weeknight entertainment.
C**N
Disappointing - couldn't engage with the story
I found 'Man on a Ledge' to be a very disappointing movie. I couldn't engage with any of the characters and thought the plot highly unlikely and contrived. i wasn't able to suspend disbelief, great cover though.Chris Allen is a Technical Author and Writer with the following books available through Amazon: Reality Shaper: The Quantum Detective -- his latest novel. The Beam of Interest: Taken by Storm Hypnotic Tales 2013: Some Light Some Dark Call of the Void: The Strange Life and Times of a Confused Person: 1
S**E
Does he jump, fall or slip. You`ll have to watch it to find out.
Considering that there are two, maybe three, stories being told at the same time and that, as its title says, is all about "A man on a ledge" it is a very good film. Can you guess the outcome? yes, but this in no-way demeans the film because how it gets there isn`t as easy to foresee as you might think.
A**E
exciting movie
Really enjoyed watching this and was kept at the "ledge" of my seat!
A**R
Five Stars
fast delivery. As advertised!
T**N
worth a watch
A good cast and interesting story .
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