---
product_id: 7745123
title: "Rumble 500 V3 Bass Amp for Bass Guitar, 500 Watts, with 2-Year Warranty 2x10 Inch Eminence Speakers with Compression Horn, Overdrive Circuit, Tone Voicing, Effects Loop and Direct XLR Output"
brand: "fender"
price: "€ 1767.09"
currency: EUR
in_stock: true
reviews_count: 8
category: "Fender"
url: https://www.desertcart.com.cy/products/7745123-rumble-500-v3-bass-amp-for-bass-guitar-500-watts
store_origin: CY
region: Cyprus
---

# 2x10" Eminence Speakers 500W Class D Power Overdrive & Tone Voicing Rumble 500 V3 Bass Amp for Bass Guitar, 500 Watts, with 2-Year Warranty 2x10 Inch Eminence Speakers with Compression Horn, Overdrive Circuit, Tone Voicing, Effects Loop and Direct XLR Output

**Brand:** fender
**Price:** € 1767.09
**Availability:** ✅ In Stock

## Summary

> 🎸 Own the stage with Fender’s Rumble 500 V3 — where power meets portability!

## Quick Answers

- **What is this?** Rumble 500 V3 Bass Amp for Bass Guitar, 500 Watts, with 2-Year Warranty 2x10 Inch Eminence Speakers with Compression Horn, Overdrive Circuit, Tone Voicing, Effects Loop and Direct XLR Output by fender
- **How much does it cost?** € 1767.09 with free shipping
- **Is it available?** Yes, in stock and ready to ship
- **Where can I buy it?** [www.desertcart.com.cy](https://www.desertcart.com.cy/products/7745123-rumble-500-v3-bass-amp-for-bass-guitar-500-watts)

## Best For

- fender enthusiasts

## Why This Product

- Trusted fender brand quality
- Free international shipping included
- Worldwide delivery with tracking
- 15-day hassle-free returns

## Key Features

- • **Powerful Yet Portable:** 500 watts of crystal-clear bass tone in a lightweight 36.5 lb chassis—gig-ready without the backache.
- • **Seamless Connectivity:** XLR direct output with ground lift and effects loop ensure flawless integration with any rig or recording setup.
- • **Versatile Tone Shaping:** Footswitchable overdrive circuit plus a three-button voicing palette lets you dial in your signature sound effortlessly.
- • **Pro-Grade Speaker Setup:** Dual 10-inch Eminence speakers with compression horn deliver punchy lows and articulate highs for stage and studio.
- • **Built to Last with Warranty:** Fender’s 2-year limited warranty guarantees durability and peace of mind for the touring pro or weekend warrior.

## Overview

The Fender Rumble 500 V3 is a 500-watt solid-state bass combo amplifier featuring dual 10-inch Eminence speakers and a Class D power amp. Weighing just 36.5 pounds, it offers a footswitchable overdrive circuit, versatile tone voicing, effects loop, and XLR direct output with ground lift. Designed for both stage and studio, it comes backed by a 2-year limited warranty, making it a reliable, powerful, and portable choice for bassists seeking professional-grade sound and flexibility.

## Description

From the company that invented the electric bass amp, the Fender Rumble 500 Combo is a mighty leap forward in the evolution of portable bass. Engineered from the ground up, new Rumble amps are lighter and louder than ever (only 36.5 pounds!), with even more power and a classic Fender vibe. A newly developed foot-switchable overdrive circuit and versatile three-button voicing palette deliver powerful tones ideal for any gig. This amp includes many pro features such as XLR output, effects loop, horn defeat, additional 8 ohm speaker output, overdrive circuit and 2 - 10 inch Eminence speakers. Its dimensions are 18x22.8x27.2 inches 39.55lbs

Review: Great amp for the price - Let me start by saying I just needed a small, light weight practice amp and this one fit the bill for the price. I have been playing bass for about 58 years and have a large rig 210-115 GK set up but didn't want to break that out every time I wanted to play on the porch, office or a buddy's house. The little Fender Rumble 25 is super light and the right size to move around. After unpacking the amp I noticed the workmanship was first rate so I plugged it in and hooked up a bass. Sounded OK but not what I expected. Pulled the removable grill off and noticed a very cheap speaker and a 3" port in the front that wasn't tuned, but for 99$ what the heck. Played some more and It just sounded cheap which it is. I wasn't expecting GK or SVT sound. I immediately went to ebay and bought a Celestion NEO 8" driver with a 2" voice coil for 55$ and it arrived today. I took the grill off and removed the Fender speaker and noticed how cheap is was and noticed too that the cabinet was hollow, no damping material so the insides of and old fiber filed pillow was sacrificed and the cabinet stuffed, also I cut a piece of round hard foam to fill the port. Put it all back together and now we have an amp. Real nice lows and great tone all through the different ranges. That did the trick. I know what you're thinking, this guy bought a 99$ amp and spent 55$ more to make it work when he could have just bought the 40 with the 10" speaker, but I would have had the same, but larger, cheap speaker for 199$. This now sounds great with a modest upgrade and the Celestion NEO is a MUCH better speaker that makes a small amp sound really good. 160$ total, light weight, nice controls, and that great Fender styling. Sorry I'm a purist and keep can't leave well enough alone and this was a small price to pay for a now great sounding amp, and by the way the pillow is pleased it went to good use. I gave it five stars for 99$ but now it's 6 stars.
Review: Rumble 25 Does The Job For Me - In this article from the New Yorker, January 28, 2013 “Music To Your Ears.” Daniel Levitin (https://en.wikipedia.org/wiki/Daniel_Levitin) “pointed out that most of the lowest notes on most pianos are actually inferred rather than heard. The soundboard on most pianos isn’t long enough to produce the bottom octave, but the brain hears the right overtones, which the piano can produce, and neurons in the brain begin to fire at the frequency of the missing bass note.” In days of yore (1950s – 1960s) this psycho-acoustic quirk was used in the design of “hi-fi” consoles to produce a semblance of deep bass without actually having an extended low frequency response. And so it is with the Rumble 25. I measured the response of this combo as shown in the graph. The red curve is with all controls set to 12 o’clock. The blue curve shows it can actually produce a reasonably flat response from 90 Hz to 2.5 kHz, +/-3 dB with the controls set as follows: Bass @ 12 o’clock, Mid @ 9 o’clock, High @ fully ccw. This means that it can only reproduce the 2nd harmonic of the lower bass octave (40 Hz to 80 Hz). Because of the normal 18 dB/octave roll-off for a vented enclosure, the 10 dB down point is about 70 Hz. As to the 2.5 kHz frequency, note that the 12th harmonic of a high A (220 Hz) on a bass is 2.64 kHz. The driver is low compliance and the box appears tuned to about 100 Hz, both of which are consistent with the measurements. These curves are smoothed with a 1/3 octave cepstral algorithm to remove insignificant non-audible variations in the measurements. There is a large resonant peak just over 3 kHz = 1/2 the driver diameter. This is tamed pretty well with the High control fully ccw, but still sits almost 7 dB above the average level. Given that the paper cone is quite stiff with no attempt in its design to damp sound waves travelling through the cone material, this resonant peak is not at all surprising. This peak corresponds to the 16th harmonic of the 220 Hz high A on the bass. This peak is probably a good “feature” for the attacks of slap bass (which I don’t do). Otherwise it is actually of little consequence. All this said, the Rumble 25 works well for me. It was low cost, is small, lightweight, and, in spite of lacking any usable output much below 100 Hz, it nonetheless “sounds” like a decent bass loudspeaker. With the controls set as noted for the flattest response, it works well for both my electric and acoustic basses, both of which sound best through a flat response system. The former is an all-original, ’63 Fender Jazz and the latter uses an NS Design “Copperhead” pick-up, a prototype kindly given to me by Ned as a present for mentoring one of his sons on bass. For acoustic gigs, even those using a PA for rooms sized for around 75 -100 audience, the Rumble 25 does the job in terms of sound quality and loudness. For larger rooms and louder gigs that’s why I have my “big” rig. This is custom set-up with a ruler flat response from 40 Hz to 2.5 kHz. However, It consists of a separate EQ, amplifier, and loudspeaker = much more to set up, is five times heavier, and it cost over 20 times more than the Rumble 25. That is what prompted me to try the Rumble 25 for smaller gigs. For what it's worth I play most all genres of music from classical to rock. One feature I like is Fender's built-in, non-adjustable, "Delta-Comp" limiter. This seems to work really well, holding things in check when the amplifier is over driven a bit. Push it hard over the limit point and some high frequency artifacts do appear. However, when running the amplifier near its limits it is virtually unnoticeable except for subtlly limiting the loudness. In spite of its measured performance, I'm giving the Rumble 25 five stars because its doing just what I need it to do.

## Features

- The Fender Rumble 500 V3 Bass Amplifier features 500 watts but is lighter and louder than ever (only 36.5 pounds!)
- The Class D power amp and dual 10 inch Eminence speakers pump 500 watts of robust, crystal clear tone
- An overdrive circuit can be controlled manually or with optional footswitch
- This bass rig features a rear-panel XLR line output with ground lift switch, allowing for compatibility across stage and studio performance
- 2 Year Limited Warranty: Fender amplifiers are designed for players and built with unmatched quality, down to the last screwFender warrants this amplifier to be free from defects in materials and workmanship for two (2) years from original purchase

## Technical Specifications

| Specification | Value |
|---------------|-------|
| ASIN | B00HWINPLO |
| Amplifier Type | Solid State |
| Best Sellers Rank | #313 in Musical Instruments ( See Top 100 in Musical Instruments ) #1 in Bass Guitar Amplifier Combo Amps |
| Brand | Fender |
| Built-In Media | Fender Rumble 500 V3 Bass Amplifier |
| Color | Black |
| Compatible Devices | Bass Guitar |
| Connector Type | XLR |
| Customer Reviews | 4.8 out of 5 stars 7,611 Reviews |
| Enclosure Material | Resin Matrix |
| Global Trade Identification Number | 00885978288335 |
| Item Dimensions D x W x H | 17.91"D x 22.84"W x 27.55"H |
| Item Height | 27.55 inches |
| Item Type Name | Bass Combo Amplifier |
| Item Weight | 40.25 Pounds |
| Manufacturer | Fender Musical Instruments Corp. |
| Model Name | Rumble V3 |
| Number of Bands | 4 |
| Output Channel Quantity | 2 |
| Output Wattage | 500 |
| Power Source | Corded Electric |
| Speaker Size | 10 Inches |
| UPC | 885978288335 |
| Warranty Description | 5 year limited |

## Product Details

- **Brand:** Fender
- **Color:** Black
- **Compatible Devices:** Bass Guitar
- **Output Wattage:** 500
- **Product Dimensions:** 17.91"D x 22.84"W x 27.55"H

## Images

![Rumble 500 V3 Bass Amp for Bass Guitar, 500 Watts, with 2-Year Warranty 2x10 Inch Eminence Speakers with Compression Horn, Overdrive Circuit, Tone Voicing, Effects Loop and Direct XLR Output - Image 1](https://m.media-amazon.com/images/I/91MIh-xYXyL.jpg)

## Available Options

This product comes in different **Size, Style** options.

## Customer Reviews

### ⭐⭐⭐⭐⭐ Great amp for the price
*by R***X on May 7, 2020*

Let me start by saying I just needed a small, light weight practice amp and this one fit the bill for the price. I have been playing bass for about 58 years and have a large rig 210-115 GK set up but didn't want to break that out every time I wanted to play on the porch, office or a buddy's house. The little Fender Rumble 25 is super light and the right size to move around. After unpacking the amp I noticed the workmanship was first rate so I plugged it in and hooked up a bass. Sounded OK but not what I expected. Pulled the removable grill off and noticed a very cheap speaker and a 3" port in the front that wasn't tuned, but for 99$ what the heck. Played some more and It just sounded cheap which it is. I wasn't expecting GK or SVT sound. I immediately went to ebay and bought a Celestion NEO 8" driver with a 2" voice coil for 55$ and it arrived today. I took the grill off and removed the Fender speaker and noticed how cheap is was and noticed too that the cabinet was hollow, no damping material so the insides of and old fiber filed pillow was sacrificed and the cabinet stuffed, also I cut a piece of round hard foam to fill the port. Put it all back together and now we have an amp. Real nice lows and great tone all through the different ranges. That did the trick. I know what you're thinking, this guy bought a 99$ amp and spent 55$ more to make it work when he could have just bought the 40 with the 10" speaker, but I would have had the same, but larger, cheap speaker for 199$. This now sounds great with a modest upgrade and the Celestion NEO is a MUCH better speaker that makes a small amp sound really good. 160$ total, light weight, nice controls, and that great Fender styling. Sorry I'm a purist and keep can't leave well enough alone and this was a small price to pay for a now great sounding amp, and by the way the pillow is pleased it went to good use. I gave it five stars for 99$ but now it's 6 stars.

### ⭐⭐⭐⭐⭐ Rumble 25 Does The Job For Me
*by C***R on July 31, 2017*

In this article from the New Yorker, January 28, 2013 “Music To Your Ears.” Daniel Levitin (https://en.wikipedia.org/wiki/Daniel_Levitin) “pointed out that most of the lowest notes on most pianos are actually inferred rather than heard. The soundboard on most pianos isn’t long enough to produce the bottom octave, but the brain hears the right overtones, which the piano can produce, and neurons in the brain begin to fire at the frequency of the missing bass note.” In days of yore (1950s – 1960s) this psycho-acoustic quirk was used in the design of “hi-fi” consoles to produce a semblance of deep bass without actually having an extended low frequency response. And so it is with the Rumble 25. I measured the response of this combo as shown in the graph. The red curve is with all controls set to 12 o’clock. The blue curve shows it can actually produce a reasonably flat response from 90 Hz to 2.5 kHz, +/-3 dB with the controls set as follows: Bass @ 12 o’clock, Mid @ 9 o’clock, High @ fully ccw. This means that it can only reproduce the 2nd harmonic of the lower bass octave (40 Hz to 80 Hz). Because of the normal 18 dB/octave roll-off for a vented enclosure, the 10 dB down point is about 70 Hz. As to the 2.5 kHz frequency, note that the 12th harmonic of a high A (220 Hz) on a bass is 2.64 kHz. The driver is low compliance and the box appears tuned to about 100 Hz, both of which are consistent with the measurements. These curves are smoothed with a 1/3 octave cepstral algorithm to remove insignificant non-audible variations in the measurements. There is a large resonant peak just over 3 kHz = 1/2 the driver diameter. This is tamed pretty well with the High control fully ccw, but still sits almost 7 dB above the average level. Given that the paper cone is quite stiff with no attempt in its design to damp sound waves travelling through the cone material, this resonant peak is not at all surprising. This peak corresponds to the 16th harmonic of the 220 Hz high A on the bass. This peak is probably a good “feature” for the attacks of slap bass (which I don’t do). Otherwise it is actually of little consequence. All this said, the Rumble 25 works well for me. It was low cost, is small, lightweight, and, in spite of lacking any usable output much below 100 Hz, it nonetheless “sounds” like a decent bass loudspeaker. With the controls set as noted for the flattest response, it works well for both my electric and acoustic basses, both of which sound best through a flat response system. The former is an all-original, ’63 Fender Jazz and the latter uses an NS Design “Copperhead” pick-up, a prototype kindly given to me by Ned as a present for mentoring one of his sons on bass. For acoustic gigs, even those using a PA for rooms sized for around 75 -100 audience, the Rumble 25 does the job in terms of sound quality and loudness. For larger rooms and louder gigs that’s why I have my “big” rig. This is custom set-up with a ruler flat response from 40 Hz to 2.5 kHz. However, It consists of a separate EQ, amplifier, and loudspeaker = much more to set up, is five times heavier, and it cost over 20 times more than the Rumble 25. That is what prompted me to try the Rumble 25 for smaller gigs. For what it's worth I play most all genres of music from classical to rock. One feature I like is Fender's built-in, non-adjustable, "Delta-Comp" limiter. This seems to work really well, holding things in check when the amplifier is over driven a bit. Push it hard over the limit point and some high frequency artifacts do appear. However, when running the amplifier near its limits it is virtually unnoticeable except for subtlly limiting the loudness. In spite of its measured performance, I'm giving the Rumble 25 five stars because its doing just what I need it to do.

### ⭐⭐⭐⭐⭐ 18 pounds of awesome
*by B***B on December 9, 2025*

Love this amp. 18 pounds of awesome. Mt standard bass has deep rich tones, and my new bass booms. Very pleased.

## Frequently Bought Together

- Fender Rumble 500 V3 Bass Amp for Bass Guitar, 500 Watts, with 2-Year Warranty 2x10 Inch Eminence Speakers with Compression Horn, Overdrive Circuit, Tone Voicing, Effects Loop and Direct XLR Output
- Fender Rumble 200/500/STAGE Amplfier Cover
- Fender Amperstand Guitar Cradle

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*Product available on Desertcart Cyprus*
*Store origin: CY*
*Last updated: 2026-01-23*