English Literature: A Very Short Introduction

Description

Sweeping across two millennia and every literary genre, acclaimed scholar and biographer Jonathan Bate provides a dazzling introduction to English Literature. The focus is wide, shifting from the birth of the novel and the brilliance of English comedy to the deep Englishness of landscape poetry and the ethnic diversity of Britain's Nobel literature laureates. It goes on to provide a more in-depth analysis, with close readings from an extraordinary scene in King Lear to a war poem by Carol Ann Duffy, and a series of striking examples of how literary texts change as they are transmitted from writer to reader. The narrative embraces not only the major literary movements such as Romanticism and Modernism, together with the most influential authors including Chaucer, Donne, Johnson, Wordsworth, Austen, Dickens and Woolf, but also little-known stories such as the identity of the first English woman poet to be honoured with a collected edition of her works. Written with the flair and passion for which Jonathan Bate has become renowned, this book is the perfect Very Short Introduction for all readers and students of the incomparable literary heritage of these islands. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable. Review: Contextualising text - There's a lot of ground to cover in Eng Lit: 'sweeping across two millennia and every literary genre', as the inside flap promises. For a while, it seems as though the need to cram everything in might be the book's undoing - even though at 167pp it's one of the longer Shorts. Such worries are premature: analysis comfortably outweighs potted literary history. For me, it isn't the chapter on Shakespeare (Bate's specialism) that forms the book's highlight, but the last two, on the novel and on multicultural English. In the first of these, the development of the 'stream of consciousness' in such novels as Ulysses and Orlando is considered in relation to recent work in brain science. As with The Genius of Shakespeare, therefore, Bate shows a willingness to look beyond the confines of his own subject in order to understand it more fully. And in his concluding chapter, entitled The Englishness of English Literature?, Bate examines a diversity that has characterised the literature of these islands since even the pre-modern, pre-mass immigration era, with its sharp political, religious and social divisions. Witty as well as thought-provoking, the book is itself literary (I noted homage to EM Forster and Blake, and doubtless missed other instances) in a way that will probably appeal to those who are 'in' without annoying those who aren't. It is also wide-ranging, up to date and perceptive (Coleridge and Hazlitt are seen as the originators of opposing 'formalist' and 'historicist' schools of criticism). With so much to commend it, we might even excuse its rather sniffy attitude to the on-line review - the 'free-for-all ... in which everyone is a critic'. Bate does, after all, concede that such electronic chat may just be an extension of the democratisation that began in the C18 coffee house. Ultimately, therefore, one of the more inspired and inspiring VSIs. Review: Muito bom - Como o nome da coletânea já sugere, é uma breve introdução. Muito bem elaborado por um dos grandes nomes de pesquisa acadêmica em Literatura Inglesa e em Shakespeare.