---
product_id: 720971
title: "The Dark Knight Rises [Blu-ray]"
price: "€ 19.35"
currency: EUR
in_stock: true
reviews_count: 7
url: https://www.desertcart.com.cy/products/720971-the-dark-knight-rises-blu-ray
store_origin: CY
region: Cyprus
---

# The Dark Knight Rises [Blu-ray]

**Price:** € 19.35
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- **What is this?** The Dark Knight Rises [Blu-ray]
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- **Is it available?** Yes, in stock and ready to ship
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## Description

Product Description It has been eight years since Batman vanished into the night, turning, in that instant, from hero to fugitive. Assuming the blame for the death of D.A. Harvey Dent, the Dark Knight sacrificed everything for what he and Commissioner Gordon both hoped was the greater good. For a time the lie worked, as criminal activity in Gotham City was crushed under the weight of the anti-crime Dent Act. But everything will change with the arrival of a cunning cat burglar with a mysterious agenda. Far more dangerous, however, is the emergence of Bane, a masked terrorist whose ruthless plans for Gotham drive Bruce out of his self-imposed exile. But even if he dons the cape and cowl again, Batman may be no match for Bane. Review Christopher Nolan's dramatically and emotionally satisfying wrap-up to the Dark Knight trilogy adroitly avoids clichés and gleefully subverts your expectations at every turn. --New York Post, Lou LumenickThe miracle of Nolan's Batman trilogy is the way it imprints those myths with the dread-soaked tenor of the times. --The A.V. Club, Scott Tobias

Review: At least as good as the first two . . . and NOT too long! - The following review started out as a gentle and respectful reply to another reviewer, so it may not seem as cohesive as other reviews, but I'm now posting it for two reasons: 1) I'm really tired of all the "too long" comments, because I see that response as an indication of the general loss of decent attention spans that now exists in the citizens of our troubled nation (USA, but maybe other nations too?), and 2) there seem to be a lot of shots taken at Chris Nolan-just for being Nolan, and since--IMHO--TDKR is the most "Nolan-ese" of the series, I suppose people who don't like Nolan will find more to dislike than those who like him. And, it may also be true that points 1 and 2 above are connected. On the other, I really like long films, and I really like Chris Nolan's film-making, so I'll admit that my bias in those two areas shows up clearly. Oh well. But, to the "review": I'm not a Batman fanatic, from the comix side, but I do like Chris Nolan, esp Memento & Inception, and I guess this film "felt" more like a Chris Nolan film than the first two. I'll also concede that I am one of those crazy people who actually likes *really* long films! (Ben-Hur and Lawrence of Arabia are two of my favorites.) Having said that, I'll note that I thought TDKR was amazing, and--in some ways--the best of the three. I had not read many reviews of this one until I watched it, so the way the plot unfolded was mostly new to me, and I have to say that I genuinely liked the way Nolan paced that unfolding, especially as Bane was set-up as virtually unbeatable, perhaps even by Batman at his peak. I've heard Bane described as "jolly," or perhaps just too flippant, but I think his attitude is simply a supreme confidence to the point of arrogance, and his arrogance makes him dismiss Batman, and any other opponents, with a vile amusement that is probably flip and sarcastic, and tied very much to his angry and bitter "soul." Also, to note one example that comes up as negative, I have seen the "climb" out of the prison described as "too long," or "boring." Nonetheless, I really liked the technique of revisiting Wayne's attempts until he finally took the blind prisoner's advice and climbed "as a child," without the rope. Now, I'll concede that after the first two attempts, I was already telling myself, "he has to do it without the rope, like a kid," but I think Nolan wanted the audience to be a bit ahead of Wayne on that point, because he kept showing the footage of the kid climbing, and the absence of the rope was pretty obvious. To me, it shows that Batman/Wayne is still having difficulty getting his mind/spirit back to the point where he can battle Bane with any chance of success, and Nolan just lets us see that before the character does. Some folks have criticized Nolan's portrayal of Batman/Wayne as borderline crippled over an 8-year period, but he is just human, after all, and it shouldn't be a shock that his emotional loss in The Dark Knight sparked a long period of withdrawing from everything. If you believe Batman is simply a man in great shape and with great martial arts training, and with a few other skills, then you will accept that all of that can be lost through neglect and carelessness and a sorrowful apathy. OK, I'm in danger of rambling here, but I guess my point, for what it's worth, is that I have watched all three of the films in this particular Batman series. I have really enjoyed all three, but I've been waiting for the true "Nolan" twists to show up. Batman Begins was extraordinarily tame in its "Nolanisms," and then The Dark Knight seemed much more a Nolan product (esp in the Joker protrayal), and finally in The Dark Knight Rises, the "true Nolan" finally shows up, especially in those scenes where the action is so fast and shocking that it is almost bewildering, which is what you get in Inception (albeit for different narrative reasons). As for the ending, should Nolan have left Batman's fate more ambiguous, and would that have been more effective? Possibly, but as it stands, Wayne's fate is something about which only the audience, Alfred, Lucius, and Selena truly know. From an emotional perspective, I just liked that touch(with no excuse). There's other little stuff too, like the way Gordon is brought down and chastized for allowing the lie about Batman to continue. Gordon has been a true shining star up until this film, and he does his best to get his police force back on board, and he ultimately makes sure Batman's image is reversed, but there is a point, after Bane reads his speech, that Gordon is justifiably portrayed as pathetic and helpless. Again, a Chris Nolan technique that produced in me a profoundly sad feeling. Yikes! This was a lot longer than I intended. I'm not trying to slam anyone else's review, or start a "review war;" I'm just pointing out the personal perspective from which I "watched" this one, and I'm hoping some of you on the border might give TDKR another shot. Happy New Year!!! Grace and peace, Rick.
Review: Incredibly well done - I was exceptionally impressed by this trilogy as a whole. The Dark Knight blew most people away and set an extremely high standard for this one to meet. I don't think this film met the standard for pure intrigue set almost single-handedly by Heath Ledger in his role as the Joker. I was however very impressed by Tom Hardy's performance as Bane and loved the character. I have heard many complaints about Bane from random people, but he is well constructed and developed, and highly formidable. He is a completely different animal from the Joker, and as the original story told, was meant to be Batman's arch-nemesis. I loved this movie for many reasons, including the depth of plot and for the story itself. Like most great movies, I think that it takes multiple viewings to pick up on all of the subtleties woven into the plot. (Study it closely naysayers, depth is there.) Many people complain of gaps and plot holes, but I don't give those complaints as much credence due to the subtle points woven in. Nolan does a good job of succinctly referencing most of those issues to move the story along quickly, you just have to pay closer attention. So purely as entertainment, I think this movie is incredible and well worth multiple viewings. ~plot spoiler alert from this point on~ This movie is very important, culturally, in my opinion. Nolan clearly draws a lot of inspiration from our society today, and writes a lot of cultural parallels into the movie. Much of what I am referencing here is the class warfare instigated by the cries of Bane for the citizenry to take back their city. A certain portion of the population is fooled into following a certain number of Bane's henchmen (not to mention the criminals set free) under the pretenses of rights to other people's property. This may seem like a digression, but Catwoman's character is a huge part of this side of the story. She is the caught between the two sides throughout much of the movie. She begins as one who sympathizes with movement of the [storm that is coming]. As the movie progresses however, she transforms from one who agrees with the deluded occupiers, to someone actively (however unwilling and detached she tries to be) engaged in fighting alongside the rational opposition to Bane. Catwoman's character is necessary for Nolan because I believe he wanted to show the line of logic that a fence sitter could follow to go from one side to the other. The tipping point for Catwoman was after a family was unceremoniously ripped from their home and Catwoman stood looking at a photo of the family and said "This was someone's home..." to which her friend replied, "No, this is everyone's home." She failed to buy into the propaganda machine controlled by Bane, and subsequently began to oppose those she once stood with. There are many more details showing cultural and societal parallels written into the movie. I won't go into any more, but in case it interests you in addition to the the movie for story's sake, watch for them. That is all, it's an incredible movie.

## Technical Specifications

| Specification | Value |
|---------------|-------|
| ASIN  | B004LWZWGK |
| Actors  | Anne Hathaway, Christian Bale, Gary Oldman, Michael Caine, Tom Hardy |
| Aspect Ratio  | 2.40:1 |
| Best Sellers Rank | #4,209 in Movies & TV ( See Top 100 in Movies & TV ) #762 in Action & Adventure Blu-ray Discs |
| Customer Reviews | 4.7 4.7 out of 5 stars (32,422) |
| Digital Copy Expiration Date  | December 4, 2014 |
| Director  | Christopher Nolan |
| Is Discontinued By Manufacturer  | No |
| Item model number  | 234883 |
| Language  | English (Dolby Digital 2.0), French (Dolby Digital 5.1), Portuguese (Dolby Digital 5.1), Spanish (Dolby Digital 5.1) |
| MPAA rating  | PG-13 (Parents Strongly Cautioned) |
| Media Format  | NTSC, Subtitled |
| Number of discs  | 3 |
| Product Dimensions  | 0.7 x 7.5 x 5.4 inches; 2.47 ounces |
| Release date  | December 4, 2012 |
| Run time  | 2 hours and 45 minutes |
| Studio  | Warner Bros. Pictures |
| Subtitles:  | English, French, Portuguese, Spanish |

## Product Details

- **Format:** NTSC, Subtitled
- **Genre:** Action & Adventure
- **Initial release date:** 2012-12-04
- **Language:** English, French

## Images

![The Dark Knight Rises [Blu-ray] - Image 1](https://m.media-amazon.com/images/I/81ZWFpuvy5L.jpg)
![The Dark Knight Rises [Blu-ray] - Image 2](https://m.media-amazon.com/images/I/91CTVFm4iFL.jpg)

## Customer Reviews

### ⭐⭐⭐⭐⭐ At least as good as the first two . . . and NOT too long!
*by G***A on December 28, 2012*

The following review started out as a gentle and respectful reply to another reviewer, so it may not seem as cohesive as other reviews, but I'm now posting it for two reasons: 1) I'm really tired of all the "too long" comments, because I see that response as an indication of the general loss of decent attention spans that now exists in the citizens of our troubled nation (USA, but maybe other nations too?), and 2) there seem to be a lot of shots taken at Chris Nolan-just for being Nolan, and since--IMHO--TDKR is the most "Nolan-ese" of the series, I suppose people who don't like Nolan will find more to dislike than those who like him. And, it may also be true that points 1 and 2 above are connected. On the other, I really like long films, and I really like Chris Nolan's film-making, so I'll admit that my bias in those two areas shows up clearly. Oh well. But, to the "review": I'm not a Batman fanatic, from the comix side, but I do like Chris Nolan, esp Memento & Inception, and I guess this film "felt" more like a Chris Nolan film than the first two. I'll also concede that I am one of those crazy people who actually likes *really* long films! (Ben-Hur and Lawrence of Arabia are two of my favorites.) Having said that, I'll note that I thought TDKR was amazing, and--in some ways--the best of the three. I had not read many reviews of this one until I watched it, so the way the plot unfolded was mostly new to me, and I have to say that I genuinely liked the way Nolan paced that unfolding, especially as Bane was set-up as virtually unbeatable, perhaps even by Batman at his peak. I've heard Bane described as "jolly," or perhaps just too flippant, but I think his attitude is simply a supreme confidence to the point of arrogance, and his arrogance makes him dismiss Batman, and any other opponents, with a vile amusement that is probably flip and sarcastic, and tied very much to his angry and bitter "soul." Also, to note one example that comes up as negative, I have seen the "climb" out of the prison described as "too long," or "boring." Nonetheless, I really liked the technique of revisiting Wayne's attempts until he finally took the blind prisoner's advice and climbed "as a child," without the rope. Now, I'll concede that after the first two attempts, I was already telling myself, "he has to do it without the rope, like a kid," but I think Nolan wanted the audience to be a bit ahead of Wayne on that point, because he kept showing the footage of the kid climbing, and the absence of the rope was pretty obvious. To me, it shows that Batman/Wayne is still having difficulty getting his mind/spirit back to the point where he can battle Bane with any chance of success, and Nolan just lets us see that before the character does. Some folks have criticized Nolan's portrayal of Batman/Wayne as borderline crippled over an 8-year period, but he is just human, after all, and it shouldn't be a shock that his emotional loss in The Dark Knight sparked a long period of withdrawing from everything. If you believe Batman is simply a man in great shape and with great martial arts training, and with a few other skills, then you will accept that all of that can be lost through neglect and carelessness and a sorrowful apathy. OK, I'm in danger of rambling here, but I guess my point, for what it's worth, is that I have watched all three of the films in this particular Batman series. I have really enjoyed all three, but I've been waiting for the true "Nolan" twists to show up. Batman Begins was extraordinarily tame in its "Nolanisms," and then The Dark Knight seemed much more a Nolan product (esp in the Joker protrayal), and finally in The Dark Knight Rises, the "true Nolan" finally shows up, especially in those scenes where the action is so fast and shocking that it is almost bewildering, which is what you get in Inception (albeit for different narrative reasons). As for the ending, should Nolan have left Batman's fate more ambiguous, and would that have been more effective? Possibly, but as it stands, Wayne's fate is something about which only the audience, Alfred, Lucius, and Selena truly know. From an emotional perspective, I just liked that touch(with no excuse). There's other little stuff too, like the way Gordon is brought down and chastized for allowing the lie about Batman to continue. Gordon has been a true shining star up until this film, and he does his best to get his police force back on board, and he ultimately makes sure Batman's image is reversed, but there is a point, after Bane reads his speech, that Gordon is justifiably portrayed as pathetic and helpless. Again, a Chris Nolan technique that produced in me a profoundly sad feeling. Yikes! This was a lot longer than I intended. I'm not trying to slam anyone else's review, or start a "review war;" I'm just pointing out the personal perspective from which I "watched" this one, and I'm hoping some of you on the border might give TDKR another shot. Happy New Year!!! Grace and peace, Rick.

### ⭐⭐⭐⭐⭐ Incredibly well done
*by C***D on November 15, 2012*

I was exceptionally impressed by this trilogy as a whole. The Dark Knight blew most people away and set an extremely high standard for this one to meet. I don't think this film met the standard for pure intrigue set almost single-handedly by Heath Ledger in his role as the Joker. I was however very impressed by Tom Hardy's performance as Bane and loved the character. I have heard many complaints about Bane from random people, but he is well constructed and developed, and highly formidable. He is a completely different animal from the Joker, and as the original story told, was meant to be Batman's arch-nemesis. I loved this movie for many reasons, including the depth of plot and for the story itself. Like most great movies, I think that it takes multiple viewings to pick up on all of the subtleties woven into the plot. (Study it closely naysayers, depth is there.) Many people complain of gaps and plot holes, but I don't give those complaints as much credence due to the subtle points woven in. Nolan does a good job of succinctly referencing most of those issues to move the story along quickly, you just have to pay closer attention. So purely as entertainment, I think this movie is incredible and well worth multiple viewings. ~plot spoiler alert from this point on~ This movie is very important, culturally, in my opinion. Nolan clearly draws a lot of inspiration from our society today, and writes a lot of cultural parallels into the movie. Much of what I am referencing here is the class warfare instigated by the cries of Bane for the citizenry to take back their city. A certain portion of the population is fooled into following a certain number of Bane's henchmen (not to mention the criminals set free) under the pretenses of rights to other people's property. This may seem like a digression, but Catwoman's character is a huge part of this side of the story. She is the caught between the two sides throughout much of the movie. She begins as one who sympathizes with movement of the [storm that is coming]. As the movie progresses however, she transforms from one who agrees with the deluded occupiers, to someone actively (however unwilling and detached she tries to be) engaged in fighting alongside the rational opposition to Bane. Catwoman's character is necessary for Nolan because I believe he wanted to show the line of logic that a fence sitter could follow to go from one side to the other. The tipping point for Catwoman was after a family was unceremoniously ripped from their home and Catwoman stood looking at a photo of the family and said "This was someone's home..." to which her friend replied, "No, this is everyone's home." She failed to buy into the propaganda machine controlled by Bane, and subsequently began to oppose those she once stood with. There are many more details showing cultural and societal parallels written into the movie. I won't go into any more, but in case it interests you in addition to the the movie for story's sake, watch for them. That is all, it's an incredible movie.

### ⭐⭐⭐⭐⭐ Review
*by の***ん on February 24, 2026*

ラストに衝撃のOOOだったのか‼️

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*Product available on Desertcart Cyprus*
*Store origin: CY*
*Last updated: 2026-03-07*