---
product_id: 4045177
title: "300"
price: "€ 47.25"
currency: EUR
in_stock: true
reviews_count: 8
url: https://www.desertcart.com.cy/products/4045177-300
store_origin: CY
region: Cyprus
---

# 300

**Price:** € 47.25
**Availability:** ✅ In Stock

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- **What is this?** 300
- **How much does it cost?** € 47.25 with free shipping
- **Is it available?** Yes, in stock and ready to ship
- **Where can I buy it?** [www.desertcart.com.cy](https://www.desertcart.com.cy/products/4045177-300)

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## Description

300 [Frank Miller, Lynn Varley] on desertcart.com. *FREE* shipping on qualifying offers. 300

Review: Frank Miller deserves a seat in Olympus as the god of sequential art - As a collection of the original comics, 300 is much better read in one sitting than reading the individual comics on a monthly schedule (which is what I did eight years ago). This book first achieved phenomenal success after its release as a single graphic novel (or hardcover trade, or whatever, I'm not going to argue terminology here) simply because after one issue you become so restless you just have to read the next one. That's why I enjoyed it much more in its current format; collecting the issues was a chore because Miller makes it so compulsively readable and the interim between issues killed me. The art is breathtaking, the writing appropriate, and the coloring by Liz Varley is brilliantly done. A lot of criticism has been directed toward this hardcover, chief among these being the fact that it is not historically accurate and that it is an excercise in racism while simultaneously objectifying women. Since I loved this comic, I respectfully disagree with all these arguments. Just look at the characterization of the Spartan Queen, done in only a handful of panels, which show that Miller did devote time and thought to what kind of people Spartan women were to survive in such a warlike society. This book is about soldiers, above all else, and during that time soldiers were men who protected their families at the cost of their own lives. The slave-oracle of the Ephors is a device Miller uses to highlight the lecherous and corrupt natures of these so-called holy men, but it is not intended to objectify women (and I meant no offense by calling the girl a 'device.') Miller definitely did not plan to espouse any racist views either; he simply conceived a cosmopolitan Persian army consisting of dozens of conquered nations and hundreds of tribes as a disorganized force unable to match the dicipline of the Spartans who received identical training in war. Authorial intent is what we must consider when reading 300 which uses Greece in 480 B.C as its setting, so it is not meant to comment on current issues in society, but issues that, according to historical speculation, were common at the time. I enjoyed this book because I was looking for a beautifully-drawn, action packed read, and this is exactly what I found. Recommended to all Frank Miller fans and artists starting out in the comics medium.
Review: "Into hell's mouth we march..." - Although the differences are sometimes difficult to articulate, there really IS a distinction between a comic and a graphic novel. Frank Miller's 300 falls squarely in the former category. As in all comics (here's one of those differences), the plot is simple and the message is straightforward. Miller is intent on depicting and applauding the heroics of military sacrifice exemplified in the stand of Leonidas and his 300 Spartans at Thermopylae, the "hot gateway." His narrative and dialogue are minimalistic and punch home a few key words: "honor," "justice," "law," "strength," "courage." So far as I can tell, there are only three women in the entire story--Leonidas' wife, an oracle, and a slave girl in the market place--and their presence is fleeting and inessential. The story is relentlessly masculine and a glorification of the masculine art of war. Morally disconcerting as the butchery depicted by Frank Miller is, there really is something stirring about his re-telling of the Themopylae story. Clearly both the story of courageous sacrifice and his rendering of it touch deep responsive chords. Miller's artwork is superb, impressionistic and subtle at times, hard-lined and deliberately brutal at others. The observant eye can discover visual tricks--drawn connotations, as it were--that enhance the story. Just one marvelous example: at one point, Leonidas consults the ephors, corrupt priests of the "old gods" who demand gold for their advice. The ephors keep young maidens as oracles, and the clear implication is that they sexually abuse them. In painting the maiden oracle, Miller has scattered fingerprints across her body--actual ones, from the looks of them--which are so skillfully worked into the overall composition that one doesn't immediately see them for what they are. Brilliant! Highly recommended.

## Technical Specifications

| Specification | Value |
|---------------|-------|
| Best Sellers Rank | #180,050 in Books ( See Top 100 in Books ) #234 in Historical & Biographical Fiction Graphic Novels #382 in Dark Horse Comics & Graphic Novels #880 in Media Tie-In Graphic Novels |
| Customer Reviews | 4.6 4.6 out of 5 stars (1,276) |
| Dimensions  | 13 x 0.5 x 10.07 inches |
| Edition  | GPH |
| ISBN-10  | 1569714029 |
| ISBN-13  | 978-1569714027 |
| Item Weight  | 1.95 pounds |
| Language  | English |
| Part of Series  | 300 |
| Print length  | 88 pages |
| Publication date  | December 15, 1999 |
| Publisher  | Dark Horse Books |

## Images

![300 - Image 1](https://m.media-amazon.com/images/I/91zIsLfcTJL.jpg)

## Customer Reviews

### ⭐⭐⭐⭐⭐ Frank Miller deserves a seat in Olympus as the god of sequential art
*by D***X on June 21, 2007*

As a collection of the original comics, 300 is much better read in one sitting than reading the individual comics on a monthly schedule (which is what I did eight years ago). This book first achieved phenomenal success after its release as a single graphic novel (or hardcover trade, or whatever, I'm not going to argue terminology here) simply because after one issue you become so restless you just have to read the next one. That's why I enjoyed it much more in its current format; collecting the issues was a chore because Miller makes it so compulsively readable and the interim between issues killed me. The art is breathtaking, the writing appropriate, and the coloring by Liz Varley is brilliantly done. A lot of criticism has been directed toward this hardcover, chief among these being the fact that it is not historically accurate and that it is an excercise in racism while simultaneously objectifying women. Since I loved this comic, I respectfully disagree with all these arguments. Just look at the characterization of the Spartan Queen, done in only a handful of panels, which show that Miller did devote time and thought to what kind of people Spartan women were to survive in such a warlike society. This book is about soldiers, above all else, and during that time soldiers were men who protected their families at the cost of their own lives. The slave-oracle of the Ephors is a device Miller uses to highlight the lecherous and corrupt natures of these so-called holy men, but it is not intended to objectify women (and I meant no offense by calling the girl a 'device.') Miller definitely did not plan to espouse any racist views either; he simply conceived a cosmopolitan Persian army consisting of dozens of conquered nations and hundreds of tribes as a disorganized force unable to match the dicipline of the Spartans who received identical training in war. Authorial intent is what we must consider when reading 300 which uses Greece in 480 B.C as its setting, so it is not meant to comment on current issues in society, but issues that, according to historical speculation, were common at the time. I enjoyed this book because I was looking for a beautifully-drawn, action packed read, and this is exactly what I found. Recommended to all Frank Miller fans and artists starting out in the comics medium.

### ⭐⭐⭐⭐⭐ "Into hell's mouth we march..."
*by K***S on May 30, 2008*

Although the differences are sometimes difficult to articulate, there really IS a distinction between a comic and a graphic novel. Frank Miller's 300 falls squarely in the former category. As in all comics (here's one of those differences), the plot is simple and the message is straightforward. Miller is intent on depicting and applauding the heroics of military sacrifice exemplified in the stand of Leonidas and his 300 Spartans at Thermopylae, the "hot gateway." His narrative and dialogue are minimalistic and punch home a few key words: "honor," "justice," "law," "strength," "courage." So far as I can tell, there are only three women in the entire story--Leonidas' wife, an oracle, and a slave girl in the market place--and their presence is fleeting and inessential. The story is relentlessly masculine and a glorification of the masculine art of war. Morally disconcerting as the butchery depicted by Frank Miller is, there really is something stirring about his re-telling of the Themopylae story. Clearly both the story of courageous sacrifice and his rendering of it touch deep responsive chords. Miller's artwork is superb, impressionistic and subtle at times, hard-lined and deliberately brutal at others. The observant eye can discover visual tricks--drawn connotations, as it were--that enhance the story. Just one marvelous example: at one point, Leonidas consults the ephors, corrupt priests of the "old gods" who demand gold for their advice. The ephors keep young maidens as oracles, and the clear implication is that they sexually abuse them. In painting the maiden oracle, Miller has scattered fingerprints across her body--actual ones, from the looks of them--which are so skillfully worked into the overall composition that one doesn't immediately see them for what they are. Brilliant! Highly recommended.

### ⭐⭐⭐⭐ Interesting Historical Fiction comic
*by D***L on February 14, 2007*

If you like other Frank Miller stuff you'll likely go for this one also. Great art if you like this type of comic and a decent historical fiction portrayal/interpretation. Don't go basing your history paper on the story presented here, however Miller's version is likely a little closer to the actual "gore of war" than was presented in the "clean" movie (The 300 Spartans) it was based on. Personally, I wish Miller had based his book/movie on the "Gates of Fire" book by Pressfield; it would have been even better. It isn't politcally correct, but then it doesn't need to be. The spartans certainly weren't. For me, it was entertaining and that is the bottom line.

## Frequently Bought Together

- 300
- Xerxes: The Fall of the House of Darius and the Rise of Alexander
- Ronin

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*Product available on Desertcart Cyprus*
*Store origin: CY*
*Last updated: 2026-03-15*