---
product_id: 379559603
title: "Edifier MR4 Powered Studio Monitor Speakers, 4\" Active Near-Field Reference Speaker - Black (Pair)"
brand: "edifier"
price: "€ 467.26"
currency: EUR
in_stock: true
reviews_count: 9
category: "Edifier"
url: https://www.desertcart.com.cy/products/379559603-edifier-mr4-powered-studio-monitor-speakers-4-active-near-field
store_origin: CY
region: Cyprus
---

# 4" woofer for rich bass Multiple inputs incl. balanced TRS Dual knobs for precise EQ control Edifier MR4 Powered Studio Monitor Speakers, 4" Active Near-Field Reference Speaker - Black (Pair)

**Brand:** edifier
**Price:** € 467.26
**Availability:** ✅ In Stock

## Summary

> 🎧 Elevate your sound game — hear every detail, feel every beat.

## Quick Answers

- **What is this?** Edifier MR4 Powered Studio Monitor Speakers, 4" Active Near-Field Reference Speaker - Black (Pair) by edifier
- **How much does it cost?** € 467.26 with free shipping
- **Is it available?** Yes, in stock and ready to ship
- **Where can I buy it?** [www.desertcart.com.cy](https://www.desertcart.com.cy/products/379559603-edifier-mr4-powered-studio-monitor-speakers-4-active-near-field)

## Best For

- edifier enthusiasts

## Why This Product

- Trusted edifier brand quality
- Free international shipping included
- Worldwide delivery with tracking
- 15-day hassle-free returns

## Key Features

- • **Dual Listening Modes:** Switch effortlessly between Monitor Mode for production accuracy and Music Mode for relaxed listening.
- • **User-Centric Controls:** Front panel volume and separate bass/treble knobs put sound customization at your fingertips.
- • **Versatile Connectivity:** Seamlessly connect mixers, PCs, tablets via 1/4" TRS, RCA, AUX, plus front headphone output.
- • **Resonance-Reducing Build:** MDF wood texture cabinet minimizes distortion, delivering clear, immersive audio.
- • **True Studio Monitor Precision:** Professionally tuned near-flat frequency response for authentic sound reproduction.

## Overview

The Edifier MR4 Powered Studio Monitor Speakers feature a 4" woofer and 1" silk dome tweeter housed in a resonance-reducing MDF cabinet. Designed for near-field reference use, they offer balanced, clear sound with flexible connectivity options including balanced TRS, RCA, and AUX inputs. Dual modes let you toggle between precise studio monitoring and enhanced music playback, while front panel controls provide easy adjustment of volume and EQ. Ideal for music creators and discerning listeners seeking professional-grade audio at an accessible price.

## Description

Buy Edifier MR4 Powered Studio Monitor Speakers, 4" Active Near-Field Reference Speaker - Black (Pair): Bookshelf Speakers - desertcart.com ✓ FREE DELIVERY possible on eligible purchases

Review: Edifier MR4 vs PreSonus Eris 3.5 - INTRODUCTION --------------------------- A little run down. My short quest for new speakers came about when the Mackie CR3’s I had for 7 years decided to stop working. In that time, I was quite happy with them. I don’t produce music, but do video editing on occasion. My primary use case is casual listening to music/movies/games. In that regard, I don’t need to have the flattest sound available or desire it – I just like clean, distinctive audio. I’ve been using Sennheiser HD555 headphones with a Sound Blaster Z soundcard for about a decade now. I know there’s better sound options out there these days, but really, these do the job well enough for me and it’s not a necessity to upgrade at the moment. Particularly, I’m impressed with the Sound Blaster software and functionality. I can switch between headphones and speakers on my computer easily and with separate settings for each that changes automatically. Which seems it’d be a convenience barrier switching to a DAC. In any case, I was previously using RCA and have switched to TRS when trying these speakers. The sound is noticeably clearer and unearths sounds more hidden with RCA. I have to crank the windows output a bit higher, but it’s unquestionably better. I also don’t turn the speaker volume up more than half or 3/4th to mitigate noise. With that, I’ll move onto my experience with these two speakers I decided to try to replace my deceased CR3’s. Upon receiving the Edifier MR4 first, I threw on some lossless tracks with some variety, albeit dated. Some artists included: Boris Brejcha, The Chemical Brothers, Erik Jackson, Emancipator, Gorillaz, Hot Chip, Linkin Park, Macklemore, MGMT, Nero, Paul Oakenfold, Papadosio, Pretty Lights, Rinôçérôse, Robert Miles, Sleater-Kinney, System Of A Down EDIFIER MR4 --------------------------- Off the bat I wasn’t stricken with the high end. I like a crispness in my highs and found there was room to be desired with snares etc. But it’s definitely good enough and doesn’t invoke fatigue. Using an equalizer in addition to increasing the treble knob helps and with dialogue in entertainment; which can be a bit muted. The speakers have decent separation and pleasing bass; while having a sound that’s brought together coherently. I have an external bass, which I won’t be inclined to turn on often, as I can also amplify it through software. Playback is warm and easy to listen to. Pressing the power button once enables or disables Music Mode. From what I could tell, it raises the decibel level slightly, as well as the bass and mids for added presence, at the expense of some clarity. I’ll probably use Monitor Mode most of the time. What I particularly liked about these speakers over the E3.5’s is a perceived wider soundstage; instruments have depth and can lightly reverberate (while still having a flatness to them), which sounded more lively comparatively. Overall, these grew on me and I’ve been pleased. If they could be a bit brighter, there wouldn’t be much else I’d desire out of them. ERIS E3.5 --------------------------- The ERIS has an adequate amount of treble and clarity in the high range that I liked at first listen. At the tradeoff of it being sharper and more fatiguing with prolonged use or higher volumes. Highs can sometimes be borderline harsh without equalizing; vocals can be sibilant. I turn the bass knob to the max at +6db and lowering or not touching the treble; which only does so much for lows anyhow. Bass is present, but it’s limited and not as full sounding – the frequency it can hit is punchy though. If you EQ more bass you can get a slight rumble, but nothing compared to the MR4. Even with a subwoofer, it’s not as full sounding. The lower mids don’t feel like they quite bridge to the bass. These speakers don’t sound bad and if I had no other options in this price range or hadn’t compared it directly to a pair with more lows, they might be acceptable. They can just be a bit flat and lifeless (which is part of the idea with monitors I guess), despite having crispness on it’s side. Honestly, I didn’t give this set as much time of day, as I kept gravitating towards the MR4’s; which didn’t make me weary with listening either. If the MR4’s weren’t around as an option, I might have compared with the Mackie CR3’s again. But doubtful: as I think their updated design is ugly, still have that green accent, and apparently they’ve declined in build quality. BUILD --------------------------- Both speakers are quite similar with an understated clean design and near identical dimensions. The MR4 seems to have a slightly better build and I prefer the the carbon fiber looking cone. The volume knob for the E3.5 is smooth – the MR4 turns with an interval of 12 clicks. The E3.5 indicator light is blue and brighter for my taste: I’d cover it up if I were to keep these speakers. The MR4 has a subdued red and green LED for monitor/music mode. Unfortunately, the green light has already started acting up and stopped working in less than a weeks use. The bass/treble knobs have more length to them on the MR4 and are easier to reach back and turn than the E3.5’s. The MR4 weighs a bit more and comes with slightly nicer speaker wire than the E3.5 The E3.5 has a detachable power cord – MR4 does not. The MR4 tweeter actually measures about three quarters of an inch, not the full 1” they claim. With both these speakers I could occasionally detect light distortion/crackling in mids and highs. Not enough to be detrimental for me in keeping the MR4’s. But also due to some solid portrayal, I could hear more of the noise added to the production of certain tracks. For example, listening to some Phantogram, where vinyl grain is frequently added. I believe the E3.5’s also displayed this characteristic, but I returned them already upon noticing more of this. CONCLUSION --------------------------- I tried both these speakers in various configurations of equalizing, but made most my judgments based on how they sound out of the box or their capabilities. The Presonus ERIS E3.5 can hit a higher frequency range; while clear, I found the Edifier MR4 sounded more pleasing and I could almost picture vocalists singing into a mic, rather than just sound coming from a speaker. This carries into the overall experience between the two. The MR4 can give me the impression of being at a concert or watching a movie at a theater, to a degree. I feel the E3.5’s are lacking a bit of soul, but maybe that’s because they’re not as warm. When switching between the two to compare, I found myself wanting to just keep listening to the Edifier’s and not switch back to the Presonus. It’s more lush with it’s prevalent bass for the size and highs can be more pronounced after equalizing (though, they still have an audible frequency ceiling, whereas the E3.5 reaches higher). Given, both these speakers haven’t had a chance for a decent break-in period; but that’ll mostly round out the sound that’s already there anyhow. I’ve also seen more feedback in regards to the Presonus not working after only a year. Most products these days can be a crap shoot, but I’d rather keep the MR4’s for the sound alone and physicality of it (with the aforementioned differences) and hope I get lucky they last awhile. But the LED being faulty already isn’t ideal and I’ll probably replace the pair. I might look further into spending a bit more for different speakers. Though, it seems moving up generally doesn’t include an aux input/headphone output, which is occasionally useful. So, once again, it comes down to weighing out price/sound/conveniences. The MR4 really does sound decent for the price ($129) and I will probably just stick to this model in the end, since I’m not ready to invest in a DAC setup either, that’ll make it worthwhile for spendier speakers. Again, I'm not a music producer, so I can't speak to the decency of these speakers for actual production – you can find reviews with graphs. I'd spend the $30 extra for the Edifiers; unless pronounced highs are super important to you (especially for rock & jazz). But if you create music with any substantial caliber of bass and need to portray it, I’d probably look elsewhere than the Presonus 3.5’s. You’d likely be wanting larger speakers anyhow; though, you may be able to get away with it by adding a sub. If you do consider the Edifier MR4’s, just know there’s a small margin of highs that aren’t as present. But they can be a more fun listening experience overall and less fatiguing.
Review: The MR4 is the best deal around! - This is another good, sincere review for the Edifier MR4. I just bought and compared them to the Edifier R1280Ts, and the new Presonus Eris 3.5 (2024 Gen.2). I really liked the Edifier R1280Ts. Such a smooth, warm, and comforting sounding speaker. But it was making a pop sound whenever I'd wake my pc and play a song. So I returned them and tried the Eris 3.5. The Eris 3.5 has good build quality and I liked how it went into power saving mode. It did not make any popping sounds. But it was lacking mids, and the treble sounded shrill. They were very fatiguing to listen to. I tried to like them for a week, but returned them. My ears are still ringing. Now I have the Edifier MR4's. I read reports of hiss when the volume knob is turned all the way up. So that was the first thing I tested. I didn't connect any thing to it, I just plugged into the the wall and turned the volume all the way up, and there is absolutely NO hiss. So I keep the volume on max and control it through windows. In "music" mode they are very balanced, with some warmth, but more clarity and detail than the R1280Ts. Instruments sound like they are right in the room. I'll be playing some background music while working, and they will distract me with their amazing musicality. I'll have to stop and take a minute just to enjoy them. The MR4s are very easy on the ears! Reputable reviews say the MR4s EQ very well. It's nice to know when I have time, I can download and learn how to use Equalizer APO in order to improve them. But they sound awesome just leaving the bass and treble dials on default. Also, putting them on speakers stands that tilt towards my ears made them sound even better. My search for the best quality budget speaker is over. This is a safe purchase I can confidently recommend. Enjoy.

## Features

- TRUE STUDIO MONITOR - Based on the highly rated Edifier bookshelf speakers professionally tuned to a responsive almost flat curve for artists and music creators.
- STUDIO QUALITY SOUND - The 1" silk dome tweeter and 4" composite woofer produce clear, smooth, and overall sound. MDF wood texture helps reduce resonance and reveal true sound.
- FLEXIBLE CONNECTORS - 1/4" balanced TRS input, an unbalanced RCA input, an unbalanced AUX input and a front headphone output are equipped for connecting devices such as mixers, computers, tablets, etc.
- Thoughtful Dual Mode Design - Freely switch between monitor mode, to listen to real audio for music production and music mode, to enjoy daily music to relax according to your needs.
- USER-FRIENDLY CONTROL - Equipped with two knobs to separately adjust the high and low frequency controls and a convenient front panel button to adjust volume and sound modes.

## Technical Specifications

| Specification | Value |
|---------------|-------|
| ASIN | B09DKV849B |
| Audio Driver Size | 10.2 Centimeters |
| Audio Driver Type | Dynamic Driver |
| Best Sellers Rank | #1,026 in Musical Instruments ( See Top 100 in Musical Instruments ) #5 in Studio Audio Monitors |
| Color | Black |
| Compatible Devices | Personal Computer, Tablet |
| Control Method | Touch |
| Customer Package Type | FFP file |
| Customer Reviews | 4.6 4.6 out of 5 stars (3,220) |
| Date First Available | August 25, 2021 |
| Department | Professional |
| Global Trade Identification Number | 00875674005848 |
| Included Components | RCA cables, Warranty Card |
| Indoor/Outdoor Usage | Indoor |
| Is Waterproof | False |
| Item Weight | 9.92 pounds |
| Item model number | MR4 Black |
| Manufacturer | Edifier |
| Material | Wood |
| Model Name | MR4 |
| Mounting Type | Tabletop Mount |
| Number Of Circuits | 2 |
| Number of Items | 1 |
| Number of Power Levels | 5 |
| Power Source | Corded Electric |
| Product Dimensions | 7.2"D x 16.9"W x 12.1"H |
| Recommended Uses For Product | Music |
| Series Number | 4 |
| Set Name | Pair |
| Shape | rectangular prism |
| Signal-to-Noise Ratio | 85 dB |
| Speaker Size | 4 Inches |
| Speaker Type | Woofer |
| Special Feature | amplifier, tweeters |
| Specific Uses For Product | Professional music production, studio recording, and personal computer use |
| Style | mr4 |
| Subwoofer Connectivity Technology | Wired |
| Subwoofer Diameter | 4 Inches |
| Surround Sound Channel Configuration | 2.0 |
| Tweeter Diameter | 2.5 Centimeters |
| UPC | 875674005848 |
| Warranty Type | Limited |
| Water Resistance Level | Waterproof |
| Wireless Communication Technology | Bluetooth |
| Woofer Diameter | 4 Inches |

## Product Details

- **Audio Output Mode:** Stereo
- **Brand:** Edifier
- **Connectivity Technology:** Auxiliary
- **Frequency Response:** 20 KHz
- **Speaker Maximum Output Power:** 42 Watts

## Images

![Edifier MR4 Powered Studio Monitor Speakers, 4" Active Near-Field Reference Speaker - Black (Pair) - Image 1](https://m.media-amazon.com/images/I/71NbYGfedQL.jpg)

## Available Options

This product comes in different **Color** options.

## Questions & Answers

**Q: how bad is the hiss?**
A: I am very sensitive to hiss, and these speakers have some of the quietest hiss I've experienced, so quiet that I hardly ever hear it. At half volume or below (I usually have the volume at halfway), the hiss is at the same level and is VERY low. To you hear it, you have to be in a silent room and closer than 2.5 feet from them. When the volume is turned up past halfway, which I do occasionally for a really quiet youtube video, the hiss graduated increases, but it's still fairly quiet. The hiss only becomes a problem when you turn the volume knob up past 3/4 which I don't recommend you do anyway because it is likely unnecessary and unhealthy for the drivers.

**Q: Saw some blogs on changing speaker wire for better sound rather than using the included wiring.  Recommendations from anyone?**
A: I can almost bet that is not the case. considering the vast array of products that exist for audiophiles that are just snake oil and people will swear it makes a difference and has been proven to do nothing or actually make things worse, I'm betting it's nothing more than a placebo effect. I highly doubt they are going to include subpar cables. It's just speaker wire. I plan on using the included wire with mine. I just haven't gotten around to setting them up yet

**Q: Does include cables to hook up both to a turntable ?**
A: Yes.

**Q: Do I need a amplifier or just hook up turntable**
A: Unless your turntable has a built-in pre-amp, you would need a turntable pre-amp to boost the very low level volume that needles produce, or a dj mixer. You do not need a receiver,

## Customer Reviews

### ⭐⭐⭐⭐⭐ Edifier MR4 vs PreSonus Eris 3.5
*by L***L on January 18, 2023*

INTRODUCTION --------------------------- A little run down. My short quest for new speakers came about when the Mackie CR3’s I had for 7 years decided to stop working. In that time, I was quite happy with them. I don’t produce music, but do video editing on occasion. My primary use case is casual listening to music/movies/games. In that regard, I don’t need to have the flattest sound available or desire it – I just like clean, distinctive audio. I’ve been using Sennheiser HD555 headphones with a Sound Blaster Z soundcard for about a decade now. I know there’s better sound options out there these days, but really, these do the job well enough for me and it’s not a necessity to upgrade at the moment. Particularly, I’m impressed with the Sound Blaster software and functionality. I can switch between headphones and speakers on my computer easily and with separate settings for each that changes automatically. Which seems it’d be a convenience barrier switching to a DAC. In any case, I was previously using RCA and have switched to TRS when trying these speakers. The sound is noticeably clearer and unearths sounds more hidden with RCA. I have to crank the windows output a bit higher, but it’s unquestionably better. I also don’t turn the speaker volume up more than half or 3/4th to mitigate noise. With that, I’ll move onto my experience with these two speakers I decided to try to replace my deceased CR3’s. Upon receiving the Edifier MR4 first, I threw on some lossless tracks with some variety, albeit dated. Some artists included: Boris Brejcha, The Chemical Brothers, Erik Jackson, Emancipator, Gorillaz, Hot Chip, Linkin Park, Macklemore, MGMT, Nero, Paul Oakenfold, Papadosio, Pretty Lights, Rinôçérôse, Robert Miles, Sleater-Kinney, System Of A Down EDIFIER MR4 --------------------------- Off the bat I wasn’t stricken with the high end. I like a crispness in my highs and found there was room to be desired with snares etc. But it’s definitely good enough and doesn’t invoke fatigue. Using an equalizer in addition to increasing the treble knob helps and with dialogue in entertainment; which can be a bit muted. The speakers have decent separation and pleasing bass; while having a sound that’s brought together coherently. I have an external bass, which I won’t be inclined to turn on often, as I can also amplify it through software. Playback is warm and easy to listen to. Pressing the power button once enables or disables Music Mode. From what I could tell, it raises the decibel level slightly, as well as the bass and mids for added presence, at the expense of some clarity. I’ll probably use Monitor Mode most of the time. What I particularly liked about these speakers over the E3.5’s is a perceived wider soundstage; instruments have depth and can lightly reverberate (while still having a flatness to them), which sounded more lively comparatively. Overall, these grew on me and I’ve been pleased. If they could be a bit brighter, there wouldn’t be much else I’d desire out of them. ERIS E3.5 --------------------------- The ERIS has an adequate amount of treble and clarity in the high range that I liked at first listen. At the tradeoff of it being sharper and more fatiguing with prolonged use or higher volumes. Highs can sometimes be borderline harsh without equalizing; vocals can be sibilant. I turn the bass knob to the max at +6db and lowering or not touching the treble; which only does so much for lows anyhow. Bass is present, but it’s limited and not as full sounding – the frequency it can hit is punchy though. If you EQ more bass you can get a slight rumble, but nothing compared to the MR4. Even with a subwoofer, it’s not as full sounding. The lower mids don’t feel like they quite bridge to the bass. These speakers don’t sound bad and if I had no other options in this price range or hadn’t compared it directly to a pair with more lows, they might be acceptable. They can just be a bit flat and lifeless (which is part of the idea with monitors I guess), despite having crispness on it’s side. Honestly, I didn’t give this set as much time of day, as I kept gravitating towards the MR4’s; which didn’t make me weary with listening either. If the MR4’s weren’t around as an option, I might have compared with the Mackie CR3’s again. But doubtful: as I think their updated design is ugly, still have that green accent, and apparently they’ve declined in build quality. BUILD --------------------------- Both speakers are quite similar with an understated clean design and near identical dimensions. The MR4 seems to have a slightly better build and I prefer the the carbon fiber looking cone. The volume knob for the E3.5 is smooth – the MR4 turns with an interval of 12 clicks. The E3.5 indicator light is blue and brighter for my taste: I’d cover it up if I were to keep these speakers. The MR4 has a subdued red and green LED for monitor/music mode. Unfortunately, the green light has already started acting up and stopped working in less than a weeks use. The bass/treble knobs have more length to them on the MR4 and are easier to reach back and turn than the E3.5’s. The MR4 weighs a bit more and comes with slightly nicer speaker wire than the E3.5 The E3.5 has a detachable power cord – MR4 does not. The MR4 tweeter actually measures about three quarters of an inch, not the full 1” they claim. With both these speakers I could occasionally detect light distortion/crackling in mids and highs. Not enough to be detrimental for me in keeping the MR4’s. But also due to some solid portrayal, I could hear more of the noise added to the production of certain tracks. For example, listening to some Phantogram, where vinyl grain is frequently added. I believe the E3.5’s also displayed this characteristic, but I returned them already upon noticing more of this. CONCLUSION --------------------------- I tried both these speakers in various configurations of equalizing, but made most my judgments based on how they sound out of the box or their capabilities. The Presonus ERIS E3.5 can hit a higher frequency range; while clear, I found the Edifier MR4 sounded more pleasing and I could almost picture vocalists singing into a mic, rather than just sound coming from a speaker. This carries into the overall experience between the two. The MR4 can give me the impression of being at a concert or watching a movie at a theater, to a degree. I feel the E3.5’s are lacking a bit of soul, but maybe that’s because they’re not as warm. When switching between the two to compare, I found myself wanting to just keep listening to the Edifier’s and not switch back to the Presonus. It’s more lush with it’s prevalent bass for the size and highs can be more pronounced after equalizing (though, they still have an audible frequency ceiling, whereas the E3.5 reaches higher). Given, both these speakers haven’t had a chance for a decent break-in period; but that’ll mostly round out the sound that’s already there anyhow. I’ve also seen more feedback in regards to the Presonus not working after only a year. Most products these days can be a crap shoot, but I’d rather keep the MR4’s for the sound alone and physicality of it (with the aforementioned differences) and hope I get lucky they last awhile. But the LED being faulty already isn’t ideal and I’ll probably replace the pair. I might look further into spending a bit more for different speakers. Though, it seems moving up generally doesn’t include an aux input/headphone output, which is occasionally useful. So, once again, it comes down to weighing out price/sound/conveniences. The MR4 really does sound decent for the price ($129) and I will probably just stick to this model in the end, since I’m not ready to invest in a DAC setup either, that’ll make it worthwhile for spendier speakers. Again, I'm not a music producer, so I can't speak to the decency of these speakers for actual production – you can find reviews with graphs. I'd spend the $30 extra for the Edifiers; unless pronounced highs are super important to you (especially for rock & jazz). But if you create music with any substantial caliber of bass and need to portray it, I’d probably look elsewhere than the Presonus 3.5’s. You’d likely be wanting larger speakers anyhow; though, you may be able to get away with it by adding a sub. If you do consider the Edifier MR4’s, just know there’s a small margin of highs that aren’t as present. But they can be a more fun listening experience overall and less fatiguing.

### ⭐⭐⭐⭐⭐ The MR4 is the best deal around!
*by M***I on September 28, 2024*

This is another good, sincere review for the Edifier MR4. I just bought and compared them to the Edifier R1280Ts, and the new Presonus Eris 3.5 (2024 Gen.2). I really liked the Edifier R1280Ts. Such a smooth, warm, and comforting sounding speaker. But it was making a pop sound whenever I'd wake my pc and play a song. So I returned them and tried the Eris 3.5. The Eris 3.5 has good build quality and I liked how it went into power saving mode. It did not make any popping sounds. But it was lacking mids, and the treble sounded shrill. They were very fatiguing to listen to. I tried to like them for a week, but returned them. My ears are still ringing. Now I have the Edifier MR4's. I read reports of hiss when the volume knob is turned all the way up. So that was the first thing I tested. I didn't connect any thing to it, I just plugged into the the wall and turned the volume all the way up, and there is absolutely NO hiss. So I keep the volume on max and control it through windows. In "music" mode they are very balanced, with some warmth, but more clarity and detail than the R1280Ts. Instruments sound like they are right in the room. I'll be playing some background music while working, and they will distract me with their amazing musicality. I'll have to stop and take a minute just to enjoy them. The MR4s are very easy on the ears! Reputable reviews say the MR4s EQ very well. It's nice to know when I have time, I can download and learn how to use Equalizer APO in order to improve them. But they sound awesome just leaving the bass and treble dials on default. Also, putting them on speakers stands that tilt towards my ears made them sound even better. My search for the best quality budget speaker is over. This is a safe purchase I can confidently recommend. Enjoy.

### ⭐⭐⭐⭐⭐ I am not AI.
*by J***R on February 1, 2026*

I love these speakers. They sound great, look great, and the price was unbeatable. I'd def recommend to anyone on the fence.

## Frequently Bought Together

- Edifier MR4 Powered Studio Monitor Speakers, 4" Active Near-Field Reference Speaker - Black (Pair)
- Audio-Technica AT-LP60X-BK Fully Automatic Belt-Drive Stereo Turntable, Black, Hi-Fidelity, Plays 33 -1/3 and 45 RPM Vinyl Records, Dust Cover, Anti-Resonance, Die-Cast Aluminum Platter
- Desktop Speaker Stands for Small & Medium Bookshelf Computer Speakers, Heavy Duty Studio Monitor Speaker Stands with Non-Slip Feet, Vibration Damping Tilted Tabletop Speaker Stands - Black (Pair)

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*Product available on Desertcart Cyprus*
*Store origin: CY*
*Last updated: 2026-03-02*