---
product_id: 2914260
title: "Koren Talmud Bavli, English, Vol.1: Berakhot: Standard (Color): With Commentary by Rabbi Adin Steinsaltz (English and Hebrew Edition)"
price: "€ 136.49"
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---

# Koren Talmud Bavli, English, Vol.1: Berakhot: Standard (Color): With Commentary by Rabbi Adin Steinsaltz (English and Hebrew Edition)

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- **What is this?** Koren Talmud Bavli, English, Vol.1: Berakhot: Standard (Color): With Commentary by Rabbi Adin Steinsaltz (English and Hebrew Edition)
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Koren Talmud Bavli, English, Vol.1: Berakhot: Standard (Color): With Commentary by Rabbi Adin Steinsaltz (English and Hebrew Edition) [Adin Even-Israel Steinsaltz] on desertcart.com. *FREE* shipping on qualifying offers. Koren Talmud Bavli, English, Vol.1: Berakhot: Standard (Color): With Commentary by Rabbi Adin Steinsaltz (English and Hebrew Edition)

Review: Redefines English-language Talmud study - I admire both Rabbi Steinsaltz and Koren Publications greatly. I am very pleased to report that this project blew me away, exceeding my expectations. Although I'm sure acquiring the entire set won't come inexpensively, I will find some way to afford to buy these as they come out. They're that amazing. [Disclaimer: Although Koren has been sending me review copies of some of their books, this review is based on a copy that I borrowed for a few days from my rabbi.] Some background, for those who have not tried learning Talmud in English before. Until now, the student of Talmud who needed English help had, realistically, two sources. First was the Soncino translation, done nearly a century ago. It's dry, academic, and literal. It doesn't give you any extra help understanding the text. Second, over the last two decades, Artscroll/Mesorah has published the Schottenstein edition, which goes too far in the other direction. Overwhelming the reader with help, it's extremely useful for beginners but its extensive mix of discursions can get in the way and bog the reader down. Meanwhile, Rabbi Steinsaltz has spent the past forty years creating a rendition of the Talmud into modern Hebrew. Part translation, part explication, he interpolates just enough background and explanatory material to fill in the gaps, without handholding the reader all the way. His marginalia are masterful: some summarize the practical halacha, some explain the archaeological or biological realia, some provide capsule biographies of personalities mentioned in the Talmud. His vowelization of the main Gemara text imposes grammatical rigor on what, for most readers, is usually an incoherent hodge-podge of Hebrew, Aramaic, Yiddish, and Yeshivish. I think it's fair to say that for the Hebrew reader, Rabbi Steinsaltz has truly revolutionized what it means to learn Gemara; he has done for our generation what Rashi did for his. The English reader was teased when Random House tried to publish an English version of Rabbi Steinsaltz's work. What they produced was not very usable, though: they were great coffee-table books, but too confusing to use as a study tool, and each tractate required so many English volumes in their edition that it was too expensive. They never finished. So now Koren has started publishing a new English translation of Rabbi Steinsaltz's rendition. (Yes, it's entirely new; this is not related to the Random House edition at all.) And they have scored on all counts. The basic format of the book is as follows: If you open it from the Hebrew side, you get a recreation of the Vilna pages, only the main text and Rashi are provided with vowels and punctuation. If you start from the English side, you get a running translation. The English pages have been designed brilliantly by Raphaël Freeman. As a software developer, I am tempted to use the phrase "information architecture" to describe what has been accomplished here. The main body of the page is a two-column layout, with paragraphs of Hebrew/Aramaic text (from the Gemara, without any interpolations) set next to their English renditions, which are translations of Rabbi Steinsaltz's modern Hebrew rendition. As has become conventional, bold type indicates the translation, while regular-weight type indicates the interpolations. The translation is top-notch, eminently readable, it is not at all stilted or unnatural. (And for those of us who believe that women should not be excluded from their equal inheritance in Torah study, the presence of women on the translation team should be noted.) Surrounding the main text block are translations of Rabbi Steinsaltz's notes, with headings, as in the original, indicating what each one is. Now here's one of the brilliant touches: in the main text block, superscript sans-serif letters look like footnote indicators, but simply refer you to which section of marginalia to examine. Each note starts with the text it references in bold, in Hebrew and in English, so it's very easy to find the note you're looking for --- and to go back to the main text when you're done. Had they used numbered footnotes, it would have been far more confusing; one thing that has always annoyed me about Artscroll's footnotes, for example, is that you never know whether it's worth interrupting your reading to follow the number. Are they just going to give you a cross-reference, or are they going to explain some concept in depth? Well, with this system, your eyes can easily gloss over notes that you don't want to follow right now, while easily navigating the page when you do. The mechanics of this cross-referencing system are never explained. They don't need to be. The design is so clear that its use is intuitively obvious, making the complexity of the interrelated texts easily navigable. The hand-drawn diagrams and fuzzy reproductions of photographs from the original Hebrew have been beautifully updated with full-color versions. It's tempting to compare these with the DK children's books, and I mean that as a compliment. The photos are clear, eye-catching, relevant, and enhance both the aesthetic experience and the learning. (Just last week, in a class at our synagogue, we were trying to understand the size relationship between unripe grapes, ripe grapes, and white beans. Photos such as these would have made that conversation easier and more rewarding.) One wish: As wonderful as Rabbi Steinsaltz's explication is, I have sometimes found myself, when using his Hebrew editions, looking at the Rashi on a difficult section. In the Koren English edition, I'll need to use the cross-references at the bottoms of the pages to flip to the Hebrew section to do that. I realize this was necessary to keep the page count manageable, but I anticipate that being an occasional frustration. Koren Publishers plans to release the entire set over the course of the next four years, faster than the Daf Yomi schedule. I wish them the financial success they deserve; this edition merits to become the new standard for English-language Talmud study.
Review: A Solid Resource for Study of Talmud - Like Artscroll's Schottenstein Edition of the Talmud, Koren's English-language translation of the Talmud Bavli with commentary by Adin Steinsaltz provides a great resource for English readers who don't yet have a great command of Hebrew and Aramaic. While Steinsaltz's commentary is not as thorough as that provided in the Artscroll edition, it is still more than sufficiently informative, providing helpful cross-references, background information on arguments, concepts, and personalities behind the Talmud Bavli. Unlike the Artscroll edition, Koren's Steinsaltz edition places the classic Vilna pages (with vowel-pointing on the central text and on Rashi's commentary) at one end of the book, and the English translation with parallel Hebrew and Aramaic text at the other end of the book, nearly cutting in half the number of actual pages needed to present both the Vilna text and translation (Artscroll's Tractate Berachos, for example, takes up two volumes, each of which is roughly the same size as the single-volume edition by Koren). The English translation, as in the Artscroll edition, provides a literal translation (in bold type) that is expanded and elucidated upon (in normal type). The Koren edition doesn't make as judicious use of typeface to distinguish between texts originating in the Mishnah and Gemara, but all such instances are clearly signalled in the elucidation of the translation. Koren's Steinsaltz edition of the Talmud unquestionably stands side-by-side with the Artscroll Talmud as the best English-language resource available for the non-Yeshiva-trained individual who wishes to gain some familiarity with this great work.

## Technical Specifications

| Specification | Value |
|---------------|-------|
| Best Sellers Rank | #954,055 in Books ( See Top 100 in Books ) #146 in Talmud (Books) |
| Customer Reviews | 4.9 out of 5 stars 119 Reviews |

## Images

![Koren Talmud Bavli, English, Vol.1: Berakhot: Standard (Color): With Commentary by Rabbi Adin Steinsaltz (English and Hebrew Edition) - Image 1](https://m.media-amazon.com/images/I/815k9BMa2pL.jpg)

## Customer Reviews

### ⭐⭐⭐⭐⭐ Redefines English-language Talmud study
*by A***E on July 10, 2012*

I admire both Rabbi Steinsaltz and Koren Publications greatly. I am very pleased to report that this project blew me away, exceeding my expectations. Although I'm sure acquiring the entire set won't come inexpensively, I will find some way to afford to buy these as they come out. They're that amazing. [Disclaimer: Although Koren has been sending me review copies of some of their books, this review is based on a copy that I borrowed for a few days from my rabbi.] Some background, for those who have not tried learning Talmud in English before. Until now, the student of Talmud who needed English help had, realistically, two sources. First was the Soncino translation, done nearly a century ago. It's dry, academic, and literal. It doesn't give you any extra help understanding the text. Second, over the last two decades, Artscroll/Mesorah has published the Schottenstein edition, which goes too far in the other direction. Overwhelming the reader with help, it's extremely useful for beginners but its extensive mix of discursions can get in the way and bog the reader down. Meanwhile, Rabbi Steinsaltz has spent the past forty years creating a rendition of the Talmud into modern Hebrew. Part translation, part explication, he interpolates just enough background and explanatory material to fill in the gaps, without handholding the reader all the way. His marginalia are masterful: some summarize the practical halacha, some explain the archaeological or biological realia, some provide capsule biographies of personalities mentioned in the Talmud. His vowelization of the main Gemara text imposes grammatical rigor on what, for most readers, is usually an incoherent hodge-podge of Hebrew, Aramaic, Yiddish, and Yeshivish. I think it's fair to say that for the Hebrew reader, Rabbi Steinsaltz has truly revolutionized what it means to learn Gemara; he has done for our generation what Rashi did for his. The English reader was teased when Random House tried to publish an English version of Rabbi Steinsaltz's work. What they produced was not very usable, though: they were great coffee-table books, but too confusing to use as a study tool, and each tractate required so many English volumes in their edition that it was too expensive. They never finished. So now Koren has started publishing a new English translation of Rabbi Steinsaltz's rendition. (Yes, it's entirely new; this is not related to the Random House edition at all.) And they have scored on all counts. The basic format of the book is as follows: If you open it from the Hebrew side, you get a recreation of the Vilna pages, only the main text and Rashi are provided with vowels and punctuation. If you start from the English side, you get a running translation. The English pages have been designed brilliantly by Raphaël Freeman. As a software developer, I am tempted to use the phrase "information architecture" to describe what has been accomplished here. The main body of the page is a two-column layout, with paragraphs of Hebrew/Aramaic text (from the Gemara, without any interpolations) set next to their English renditions, which are translations of Rabbi Steinsaltz's modern Hebrew rendition. As has become conventional, bold type indicates the translation, while regular-weight type indicates the interpolations. The translation is top-notch, eminently readable, it is not at all stilted or unnatural. (And for those of us who believe that women should not be excluded from their equal inheritance in Torah study, the presence of women on the translation team should be noted.) Surrounding the main text block are translations of Rabbi Steinsaltz's notes, with headings, as in the original, indicating what each one is. Now here's one of the brilliant touches: in the main text block, superscript sans-serif letters look like footnote indicators, but simply refer you to which section of marginalia to examine. Each note starts with the text it references in bold, in Hebrew and in English, so it's very easy to find the note you're looking for --- and to go back to the main text when you're done. Had they used numbered footnotes, it would have been far more confusing; one thing that has always annoyed me about Artscroll's footnotes, for example, is that you never know whether it's worth interrupting your reading to follow the number. Are they just going to give you a cross-reference, or are they going to explain some concept in depth? Well, with this system, your eyes can easily gloss over notes that you don't want to follow right now, while easily navigating the page when you do. The mechanics of this cross-referencing system are never explained. They don't need to be. The design is so clear that its use is intuitively obvious, making the complexity of the interrelated texts easily navigable. The hand-drawn diagrams and fuzzy reproductions of photographs from the original Hebrew have been beautifully updated with full-color versions. It's tempting to compare these with the DK children's books, and I mean that as a compliment. The photos are clear, eye-catching, relevant, and enhance both the aesthetic experience and the learning. (Just last week, in a class at our synagogue, we were trying to understand the size relationship between unripe grapes, ripe grapes, and white beans. Photos such as these would have made that conversation easier and more rewarding.) One wish: As wonderful as Rabbi Steinsaltz's explication is, I have sometimes found myself, when using his Hebrew editions, looking at the Rashi on a difficult section. In the Koren English edition, I'll need to use the cross-references at the bottoms of the pages to flip to the Hebrew section to do that. I realize this was necessary to keep the page count manageable, but I anticipate that being an occasional frustration. Koren Publishers plans to release the entire set over the course of the next four years, faster than the Daf Yomi schedule. I wish them the financial success they deserve; this edition merits to become the new standard for English-language Talmud study.

### ⭐⭐⭐⭐⭐ A Solid Resource for Study of Talmud
*by S***D on August 19, 2014*

Like Artscroll's Schottenstein Edition of the Talmud, Koren's English-language translation of the Talmud Bavli with commentary by Adin Steinsaltz provides a great resource for English readers who don't yet have a great command of Hebrew and Aramaic. While Steinsaltz's commentary is not as thorough as that provided in the Artscroll edition, it is still more than sufficiently informative, providing helpful cross-references, background information on arguments, concepts, and personalities behind the Talmud Bavli. Unlike the Artscroll edition, Koren's Steinsaltz edition places the classic Vilna pages (with vowel-pointing on the central text and on Rashi's commentary) at one end of the book, and the English translation with parallel Hebrew and Aramaic text at the other end of the book, nearly cutting in half the number of actual pages needed to present both the Vilna text and translation (Artscroll's Tractate Berachos, for example, takes up two volumes, each of which is roughly the same size as the single-volume edition by Koren). The English translation, as in the Artscroll edition, provides a literal translation (in bold type) that is expanded and elucidated upon (in normal type). The Koren edition doesn't make as judicious use of typeface to distinguish between texts originating in the Mishnah and Gemara, but all such instances are clearly signalled in the elucidation of the translation. Koren's Steinsaltz edition of the Talmud unquestionably stands side-by-side with the Artscroll Talmud as the best English-language resource available for the non-Yeshiva-trained individual who wishes to gain some familiarity with this great work.

### ⭐⭐⭐⭐⭐ Jumping into the sea of Talmud
*by D***E on September 18, 2012*

I went ahead and purchased this first Volume of the Koren Talmud Bavli and I was very pleased. I do not know the original languages and so I wanted the best English one I could get. I had perused the Artscroll Translation and it seemed really nice but the price was prohibitive. I looked at a copy of Neusener's at the Library and that seemed good as well but it didnt feel like the nice hardbound Artscroll's edition. I saw the Koren just show up one day as I was perusing my favorite library, Amazon, and I was attracted to the Koren edition from the start. It looks great and it seems like it would really be a big help to me , a total newcomer to the Talmud. I bought this first volume and I am very satisfied with it already after two days. The first day I read the intros and the first Daf which is number 2. Today I read the 2nd Daf. I love the presentation. I am really already learning alot. And , the hardbound edition is very handsome indeed, with gold letters. Now I too can pore over this wonderful gift from the sages. And the price is very reasonable. For just under 30.00 , its a great buy. One more thing: I always read how the Talmud gets one into the nitty gritty of scripture and this is true. I had my NRSV bible opened the whole time, cross-referencing passages . I was surprised at how devotional the process of studying the Talmud is, at least the first two dafs. I especially am excited how the commentary walks someone new like myself through the Gemara. The Gemara is in Bold letters and the commentary is in lighter font. There are ample notes on halakha, personalities of the period and background info. Its wonderful. The font is large enough . At the back of the volume, what would be the Hebrew front, is the Vilna edition. Maybe someday I can learn to read that. I dont know how many volumes the Koren edition will comprise but maybe I can afford them over time.

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*Last updated: 2026-03-20*