Debut 2.0 B6.2 Bookshelf Speakers, Black (Pair), Wired

Best matching amplifier is cambridge audio. I using cambridge audio azur 540a. Best performing ever, I try with other amplifier there was no dynamics sound , but azur 540a beast for this speakers..

Value for money

Som perfeito de acordo com a informaç\ao prestada para o produto

Y a pas à dire c’est Vraiment une bonne enceinte... équilibrée, dynamique. Pas prise de tête. Un grave surprenant après une petite période de rodage (20h) et une transparence qui surprend comte tenu du prix !!?? Leur inconvénient ? Elle méritent un ampli de qualité. Elles sont branchées à un ampli numérique SMSL AD18 et n’ont aucun problème pour les driver mais je sens qu’elles en ont sous le pied... J’ai hâte de les associer avec qque chose de meilleur et je risque d’être surpris encore une fois... J’avais une paire de KEF R300 qui étaient EXCELLENTES mais manquaient un peu de dynamique et de vie dans la partie medium/aiguë. Ce n’est pas le cas des ELAC B6.2. Chaudement recommandées. PS: j’ai possédé: KEF R300, KLIPSCH R15M (excellente) DALI ZENSOR 3, MISSION LX2

The speakers look beautiful and is solid, heavy and of very good build. Treble is refined, not brash nor tinny and bass extended which belies its small size. Positioning is very important to extract the best bass quality and is very well worth the effort. The pair stands its ground against my venerable Linn Helix LS150 which cost me 4 times more in 1990s dollars. Best of all, I got them at the unbelievable price of less than S$400 without shipping costs. Amazon do have some great offers at times!

I ordered these on an impulse, when the Amazon price suddenly raeduced by 20%, but they were already on my shortlist of three hifi speaker upgrades. I'd researched them based on my needs, budget and what was most suited to the size of my room. The Elacs were the cheapest of my options and I'd planned to demo them all at a hifi shop. Having heard them, the search is over. These speakers provide everything I wanted from the upgrade. I'm hearing a wider sound stage (the music seems to come from behind and beyond the edges of the physical placement of the speakers) and there's good separation of all the instruments and voices. Lots of detail too. Even very dense recordings, such as of whole orchestras, retain a good level of clarity. The frequency range is very good, both the highest notes and a great bass response: solid, well defined and not mushy. I've been using a sub-woofer with the previous speakers but may not need it now. The biggest improvement is in the mid-range: crisper and smoother voices and drums. I also get that hard to define rhythmic quality which tells you all the bits of a recording are in synch and your speakers are getting everything to your ears at the right time. Something else that's hard to define is when speakers are easy, rather than tiring, to listen to. Sometimes you have to work to pick out different bits of a recording but the Elacs serve it all up together with no effort necessary. The previous version of these speakers got excellent reviews but the company still went ahead and created the current model, which is significantly different, even including the design and dimensions of the cabinet. The professional reviews of the 6.2s are excellent. One design feature that may be relevant to potential buyers with limited space is the position of the bass port on the front rather than the back of the cabinet. This allows more flexibility in placement: you can put the 6.2s closer to a rear wall than you generally would. There is a lot of nonsense talked about hifi equipment and we're all hoping to find the bargain which is every bit as good as the kit costing tens of thousands of pounds. The Elac B6.2s are not that, they couldn't be, just exceptionally well designed and put together speakers which are really enjoyable and easy to listen to, as well as amazing value for money.

They're brand spanking new. They came in late yesterday, I got them out of the box and up on the wall today on a floating shelf system also from Amazon. They had to be put pretty high on the wall and I placed them upside down so the tweeter was more at ear level. The power plant is a recently purchased Yamaha R-S202, a very barebones receiver that features the cleanest, fastest power I've ever experienced. The 100 watts per channel @ 8 ohms is supplying more than enough juice for these speakers, so far 2/3 power is confortably loud, 3/4 I've not yet dared to tread. In other words, I have ridiculous headroom. The primary source is a Hiby R3 Pro DAC, also from Amazon which I prefer to feed hard wired, rarely Bluetoothed. The Elacs complete a pretty dreamy sounding stereo system. It ain't high-end, but at under $600 it's amazingly close. Now for the breaking-in. To inaugurate my purchase I started off with a rousing baroque fanfare for organ, brass and tympany from a sparklingly sonic, out-of-print DGG CD called Awake The Trumpet's Lofty Sound, just to let the Elacs know that their primary thrust will be classical. Then I cut loose with some Chicago Transit Authority, and the eponymously titled Pastorius, which sounded comprehensible for the first time. I went on to Up Front from David Sanborn, and Imaginary Worlds by Sammy Figueroa. Big music all, to show off the outstanding immersive power of the Elacs and to loosen up the internal workings of the drivers, an endeavor that will continue for some time. Whereas I will put off complex symphonic selections until the breaking-in process is a little more advanced, I see no reason why something like the Hammerklavier and other super dynamic pieces for solo piano should be excluded. So onwards and upwards, I'm loving these speakers. I'm absolutely blown away by these speakers and I recommend people grab 'em before the price goes up. It has now been around 6 weeks since the Elacs came in. I'm loving them, my jazz and rock sounded great from the start but I'm finding a rather lengthy break-in period to be most valuable, especially for many of my classical selections. I have not gone out of my way to push them hard or for long periods at a stretch, just normal listening. The reviewer who mentioned the shortcomings in rendering classical during a 3 speaker system comparison was absolutely correct. Much material, strings, alto recorders, certain piano notes have sounded initially on the raggedy side. I'm thinking right around the crossover frequencies, the upper registers of the woofer and lower registers of the tweeter. But much of this has worked itself out and continues to work itself out over time. The guy never gave these speakers a chance. With each passing day I grow more impressed and gratified by my purchase, particularly as I see that the cost has gone up by $90. Recently, I have had occasion to push the volume, namely on the beautifully engineered DGG Mutter recording of the Sibelius violin concerto. Wow! Wow! Words fail me. Enough said. At any rate, when I get around to it I'm going to install my other receiver, the 120 WPC Harman Kardon HK3490. After all, if 100 WPC sounds great, etc., etc.. Besides, I want to utilize my graphic equalizer, and the Yamaha lacks a tape loop. So to conclude for the second and final time, these Elacs are definitely keepers. After even an incomplete break-in period the imaging, tonal and dynamic qualities of the system are simply fantastic for their size and price, and just continue to get better still. It's now a little over 3 months of enjoyment with the Elacs. I have switched over to the 120 RMS per channel HK and it has indeed proved a better match, resulting in increased breadth, depth, separation and clarity to the musical program, a much more cogent soundstage and power to (relatively speaking, of course) inspire awe. It truly demonstrates the difference between the loudness of the Yamaha and the all together desirable volume provided by the HK. Additionally, I do believe that in the enhanced amplification of frequencies and timbres the breaking in process has been accelerated. By now only rarely do I hear a wayward tone, so I think the Elacs, after perhaps an overly long period of time can be considered just about broken in. But now that they are I can really appreciate the full capabilities of the speakers, how their innate neutrality of sound allows them to complement so many styles of music and how their power handling enables the experience of total immersion in clean, clear unsullied music. So much speaker in such a small, inexpensive package. Well, I've said all I need to say about these wonderful speakers. This is my final sign-off. My final, final sign-off. Seriously.