Paperclay: Art and Practice (New Ceramics)
C**A
Excelente
Livro cheio de referências, ideias e tudo super bem explicado.Achei realmente muito bom!
O**N
Es un muy buen libro
En el libro viene todo el tema muy bien explicado. Con fórmulas
G**I
Not just another pretty picture book.
Not just another pretty picture book.I'm trying paperclay for the first time.This book is very informative.
S**R
Much better than the German paperclay book
Very inspiring and intelligent!
E**N
BUY THIS BOOK instead of any of Gault's other Paperclay books. Absolutely loaded with valuable, well-organized information.
I initially avoided this book based on poor reviews and bought Gault's older paper clay volumes instead, which was a huge mistake. This book contains everything in the older Studio Companion series and much, much, more. And unlike Gault's previous books, this one is organized in a linear and cohesive format. It has been written for clarity and easy comprehension with good grammar and proofreading. It's also beautifully and thoughtfully illustrated. The handy index in the back let's you jump directly to detailed information on any particular topic when you're using it for a studio reference.There is no art-speak in this book. And despite the inclusion of some beautiful photos, this book is NOT just "eye candy" for inspiration - it is utterly practical. The references to "linear" and "non-linear" are direct references to the practical work-flows needed when using traditional clay bodies as opposed to paper-clays. LINEAR refers to the required progression from wet to leather hard to bone dry to fired when using traditional clays. Works must be dried slowly and evenly, parts must be assembled while all are at the leather hard stage, and once the work is bone dry there's no going back to correct or change anything. NON-LINEAR refers to the freedom paper clay bodies give to move back and forth between the wet, leather hard and dry stages. Paper fiber in the clay allows you to let work dry quickly or unevenly, to attach new wet pieces to others that are already bone dry, and to re-wet bone dry pieces as often as you like in order to modify or repair them until you're ready to fire the work to permanence.Those who complained that this book is low on information may have been looking for a step-by-step project book. True, this book is not paper-clay-for dummies, where you receive instructions on how to successfully create a specific masterpiece without knowing anything about the material you're working with. It does include recipes and instructions to make your own paper clay bodies, but it also includes the logic behind the recipes so you can modify the given ones for your own needs, or even make up your own recipe to cope with the requirements of a specific project. As to HOW to use the material, there are no specific projects included. Instead Paper Clay Art and Practice is absolutely loaded with the logic and science of why and how you can use a Paper Clay body to succeed in hundreds of situations where a traditional non-paper clay body would fail. Each method that's unique to paper clay is explained in text, and illustrated with in-process photos and examples finished works where that method was used. The WHY comes in if you experience failures in your work - then you will be able to diagnose the trouble and make corrections on your own.In short, Paper Clay Art and Practice won't teach you how to make somebody else's work in 10 steps. Instead it will empower you to make your own ceramic works that were never before possible.
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