---
product_id: 193350963
title: "Modal Counterpoint: Renaissance Style"
brand: "peter schubert"
price: "€ 247.94"
currency: EUR
in_stock: true
reviews_count: 4
url: https://www.desertcart.com.cy/products/193350963-modal-counterpoint-renaissance-style
store_origin: CY
region: Cyprus
---

# Modal Counterpoint: Renaissance Style

**Brand:** peter schubert
**Price:** € 247.94
**Availability:** ✅ In Stock

## Quick Answers

- **What is this?** Modal Counterpoint: Renaissance Style by peter schubert
- **How much does it cost?** € 247.94 with free shipping
- **Is it available?** Yes, in stock and ready to ship
- **Where can I buy it?** [www.desertcart.com.cy](https://www.desertcart.com.cy/products/193350963-modal-counterpoint-renaissance-style)

## Best For

- peter schubert enthusiasts

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## Description

Modal Counterpoint: Renaissance Style

## Images

![Modal Counterpoint: Renaissance Style - Image 1](https://m.media-amazon.com/images/I/61gNUBUFvdL.jpg)
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![Modal Counterpoint: Renaissance Style - Image 3](https://m.media-amazon.com/images/I/41zKdC4j9eL.jpg)

## Customer Reviews

### ⭐⭐⭐⭐⭐ 







  
  
    Best Renaissance Counterpoint book
  

*by M***E on Reviewed in the United Kingdom on 20 June 2012*

I have just finished working through this book after two years and it's by far the best book about 16th century counterpoint I've come across - and I have used several.The benefit it has over other methods is that it goes back to the original Renaissance method books and uses exercises from those, unlike say Jeppesen, where I now realize (having worked through this book) that Jeppesen didn't know as much about Palestrina as he made out! There's nothing in Jeppesen about modal ranges for instance.The main thing wrong with it is the large number of typos, and also in some places I could have done with more worked examples, and the paper is very thin for a book that if used properly needs to be more robust.Also it's ridiculously expensive. I found the book six months before I bought it and the price made me wait. Eventually I took the plunge and am very glad that I did, but I still can't see why it has to be so expensive.I've just noticed that Peter Schubert has written a Baroque Counterpoint book so I guess I shall have to buy that - but that's even more expensive.

### ⭐⭐⭐⭐⭐ 







  
  
    Five Stars
  

*by J***M on Reviewed in the United Kingdom on 12 October 2014*

Everything I hoped for. All I need in terms of counterpoint theory.

### ⭐⭐⭐⭐⭐ 







  
  
    ERRATA
  

*by M***O on Reviewed in the United Kingdom on 20 March 2013*

Errata for 'Modal Counterpoint, Renaissance Style' by Peter SchubertPage 2  Ex.I-2: C time sig. should read 2/1  Ex. I-2: m.8, alto, last quarter B-flat should read B-naturalPage 3  Line 8: "labeled in the example" should be deleted (or add missing labels)Page 10  Ex. 1-1b: last line, 3rd measure fill in G-A-B-CPage 14  Ex. 1-3e: "(see Exx. 14-6 and 14-7)" should read "(see Exx. 14-9 and 14-10)"Page 15  Ex. 1-3g: "(see Exx. 14-6 and 14-7)" should read "(see Exx. 14-9 and 14-10)"Page 23  ill. #6: 2nd ex. w/ pyramid upside down should say "avoid"Page 25  Ex. 2-6b: treble 8ve clef in first two exx. should be alto clef  Ex. 2-6b: clef in 3rd Ex. should be normal treble clefPage 51  line 9: "25 percent" should read "20 percent"Page 55  Exercise 4-D2: first CF note A should read GPage 61  line 16: "shown in Example 5-4" should read "shown in Example 5-5"Page 70  line 5: "high point to the next." should read "high point to the next  temporary low point or vice-versa."Page 72  line 1: "third-species Mixolydian" should read "third-species Hypomixolydian"  Ex. 5-D2: 4th staff, last note low G should be an octave higherPage 87  ill. rule 4: last example, "X" should be over quarter-note GPage 92  Ex. 7-5a: add brackets in mm. 4-11 over B-G-A-A-A and A-F-G-G-GPage 93  Exx. 7-5b & c: same as abovePage 99  Exercise 7-C2: signature in middle line should be B-flat (not C-flat!)Page 146  Puzzle-canon exercise: fourth canon, last note C should be DPage 169  line 1: "Example 5-2" should read "Example 5-4"Page 178  line 11: "stepwise in one direction (you" should read "stepwise (you"Page 187  Ex. 14-9: m.5, top line, tenor octave clef should be regular treble clefPage 188  Ex. 14-9: m. 16, middle line, 7th note should be F, not GPage 188  Ex. 14-10: m. 7, beat 4, middle voice, dot missingPage 192  line 15: "Compare numbers 4 and 7." should read "Compare numbers 4 and 6."Page 194  Ex. 14-12, #7: middle line, tenor octave clef should be regular treble clefPage 221  lines 3-4: delete "In each ...and bracketed" or have students  label & bracket in Exx. 16-8 and 16-9Page 225  line 3: "in the mode indicated" delete (or teacher must specify mode)Page 252  line 10: "at the asterisk" should read "in m. 23" (or add * in alto, m. 23)Page 283  Ex. 19-14: bass, m. 14, reverse note E and restPage 308  Ex. App. 1-1: underline both first and third syllables in "Be - ne - dic -tus"Page 316  Appendix 4: 15th CF note breve D should be semibreve DOther minor/obvious mistakes excluded. (Confirmed by Author)

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*Product available on Desertcart Cyprus*
*Store origin: CY*
*Last updated: 2026-03-07*