The Golden Compass (His Dark Materials) Audio CD – Unabridged, September 28, 2004

This book and this series is exceptional in so many ways. I give it five stars, and my 9-year-old son is reading the series as I re-read it with him.Here are three things I love about this book:1- The main character is a strong girl (Lyra) with incredible willpower as well as a pre-ordained important role to play in the world. She is funny, scrappy, and a very likable and relatable main character. The fate of the world is literally in her hands, but she doesn't realize that.2- The world building here is so creative and so different from other fantasy novels. After reading a lot of fantasy novels with my son, at some point I get bored of the traditional storyline of wizard fights some sort of evil and prevails. In this world, every person is born joined to a Daemon, which is an animal who talks and basically always stays within ten feet of the person. They are bonded forever, and part of being a whole human is being bonded from birth to death with this talking animal. There's also a huge theme here about physics, which they call "Dark Matter" or "Dust" - that creates mystery that keeps you on the edge of your seat throughout the book. There are also such creative creatures, including armored polar bears who talk and are mercenaries for hire. There are witches, who live for thousands of years and exist within clans. And the Daemons are fascinating. They can change shape at will into any animal basically until their human hits puberty, at which point they pick one animal shape to maintain for the rest of their lives.3- The settings are interesting, and also related to parts of the earth. For instance, the story starts in Oxford in England where Lyra grows up as a part of a college. She is a little girl among scholars, who mainly runs around and does what she wants throughout the town. She's proud of her mastery of the spaces around her, and becomes the center of most groups of kids, who follow her - from her best friend who is the son of a kitchen worker at the college to her friends the Gyptians who live on boats. Then the story moves to the Arctic, where there are detailed descriptions of auroras and vivid explanations of the cold. My son got more interested in the Arctic here, and found himself exploring the science in the science fiction. That's an exciting advantage of a book like this!Notes for parents raising kids in a religious tradition:The church is evil in this book and in this series. And the church uses names and terms like many real religious traditions- clergy, magisterium, priests, etc. The church is funding an evil plot to try to harness energy by physically harming children in the Arctic. Phillip Pullman is unapologetic about the church being evil in this series, and even extrapolates later in the second book to make statements about churches always being on the wrong side of things.The book is just so, so good, so I didn't want that to be a reason not to share it with my son who loves fantasy and science fiction. But I did want to read it with him and talk about it throughout the book. We talked about how worlds are different from each other in fantasy and real life. We've also spent time talking about how church is an institution, and institutions make mistakes and have done things that are wrong or even evil- and how to square that with being confirmed in a church literally this year.If you are a parent of a child being raised in a religious tradition, I strongly recommend reading this series together with your child.

This book starts a bit slowly at first, but then kicks up into high-adventure and keeps this pace to the end. Pullman’s writing is very good and he manages to capture a perfect voice for the main character of Lyra as she negotiates this strange world populated by anthropomorphic soul-animals, witches, ghasts, and armored bears.In reading this book, I felt reminiscent of the that sweet, nostalgic tone achieved by C.S. Lewis in “The Narnia Chronicles.” Perhaps this is simply due to the omniscient point of view in which the narrators guide one along in these comparable fantasy works. There is something comforting when you feel as if a story is being told you by a dear old friend while at the same time you’re being truly immersed in the narrative. That is a subtle art in which the author must carefully balance the use of the narrative voice so as not to feel intrusive or too expositional. I think there is something in the human psyche that responds to this mode of storytelling that harkens back to our ancient oral traditions.The work is not particularly a “Christian” one, even though I am mentioning The Narnia Chronicles which are more overtly Christian in their telling. Pullman does draw on the dogma, practices, history and teachings of the Christian Religion to create his fantasy world and also to better illustrate what is happening and drive the plot along. However, unlike The Narnia Chronicles, the institutional nature of religion plays a much bigger and more nefarious role in The Golden Compass. That being said, this particular tale is not overly caught up with this theme. During some portions the religious aspect is missing altogether—though I admit that it does make up an important part of the book. So in essence, I am saying that however critical this book might be toward the institutional aspect of religion—it is not solely concerned with that point.The world created by Pullman feels rather unique, even though it is a secondary world not unlike our own (in many ways). He devises a magical system utilizing a special dust-like substance; and souls that live outside the body in animal forms called daemons. This feels very authentic and manages to be quite delightful. Probably the strongest and most developed part of the book is the relationship Lyra has with her own daemon.Other elements of the story come flying in as Lyra (the protagonist), takes up her quest to deliver a magical item to a far off and dangerous land. She meets interesting, fun and compelling characters all along the way. My only gripe is that at times, these non-player-character-types seem to drop on and off screen as needed. So too, does the adventure seem to proceed along one step at a time. The feel of this story is that as the protagonist progresses, the author foreshadows the next event, a challenge is overcome and the protagonist advances to the next level. A bit mechanical—not exactly contrived, but somewhat stilted. The writing is really great and the plot has a lot of fun and interesting elements that leave you anxious to see things through. There is just something a bit….in the background…missing... Perhaps it was the dropping away of secondary characters without a lot of follow through on their individual subplots? But, maybe that would have just slowed things down? I’m not sure.All in all, I have no real problems with this book. It’s very well written, a great read and I’d definitely recommend it and am curious to read more. Mainly though, the author has a great voice for his story telling and that is what really pulls you in.Podcast: If you enjoy my review (or this topic) this book and the movie based on it were further discussed/debated in a lively discussion on my podcast: "No Deodorant In Outer Space". The podcast is available on iTunes, Tune-In Radio, Stitcher, Google Play Music, YouTube or our website.